It's Pony - 212

Shot 0 Panel 1 Dialog

Shot 6 Panel 1 Dialog DAD What've you got there,
Pony?

Shot 6 Panel 2 Dialog PONY (irritated) It’s a bee
in a jar.

Shot 6 Panel 3 Dialog PONY (irritated) It’s a bee
in a jar.

Shot 6 Panel 4 Dialog PONY (irritated) Why do people
keep asking me?

Shot 6 Panel 5 Dialog DAD Wow. What's up with
Pony?

Shot 6 Panel 6 Dialog DAD Wow. What's up with
Pony?

Shot 6 Panel 7 Dialog ANNIE (panicked) WHAT? THERE’S NOTHING
IN THE ELEVATOR! I SWEAR!

Shot 1 Panel 2 Dialog ANNIE See?

Shot 1 Panel 3 Dialog ANNIE Now let's go finish
dinner before it gets co--

Shot 1 Panel 4 Dialog ANNIE Now let's go finish
dinner before it gets co--

Shot 3 Panel 3 Dialog ANNIE (CONT'D) OK. I can
explain.

Shot 3 Panel 4 Dialog ANNIE (CONT'D) It all started
when Pony and I went to see Brian at his dad’s comic book store...

Shot 0 Panel 1 Dialog ANNIE (V.O.) ...Brian’s the assistant
manager, so he's got the key to the special cabinet with all the rare comics...

Shot 1 Panel 2 Dialog ANNIE (calling OS) Hey Brian!
You think Invisible Dentist could take Cannonface?

Shot 1 Panel 3 Dialog ANNIE (calling OS) Hey Brian!
You think Invisible Dentist could take Cannonface?

Shot 4 Panel 4 Dialog ANNIE (CO NT'D) What's the
matter?

Shot 4 Panel 5 Dialog ANNIE (CO NT'D) What's the
matter?

Shot 5 Panel 1 Dialog BRIAN I'm not the assistant
manager anymore.

Shot 6 Panel 1 Dialog PONY What'd you do? Fall
asleep on the job? Steal from the cash register? Let a pony draw on the comics?

Shot 6 Panel 6 Dialog BRIAN No, no,

Shot 6 Panel 7 Dialog BRIAN No, no,

Shot 6 Panel 8 Dialog BRIAN and never again

Shot 6 Panel 9 Dialog BRIAN and never again

Shot 7 Panel 1 Dialog BRIAN My sister Chris can’t
get a real job so Dad gave her mine.

Shot 7 Panel 2 Dialog BRIAN My sister Chris can’t
get a real job so Dad gave her mine.

Shot 8 Panel 1 Dialog BRIAN Now I’m assistant floor
sweeper.

Shot 8 Panel 2 Dialog BRIAN Now I’m assistant floor
sweeper.

Shot 8 Panel 6 Dialog ANNIE Oh no! Poor Brian.

Shot 8 Panel 7 Dialog PONY Poor Brian? Poor Pony.
Chris'll never let me in the cabinet.

Shot 9 Panel 2 Dialog ANNIE Why can't Chris get
a real job?

Shot 9 Panel 3 Dialog ANNIE Why can't Chris get
a real job?

Shot 9 Panel 4 Dialog ANNIE She is so nice

Shot 9 Panel 6 Dialog BRIAN She blows every interview.
She's got one today, but there's no hope.

Shot 10 Panel 1 Dialog ANNIE There's always hope!

Shot 10 Panel 2 Dialog ANNIE We'll help her get
ready for the interview. Won't we Pony?

Shot 10 Panel 3 Dialog PONY Absolutely.

Shot 10 Panel 4 Dialog PONY (aside, to Annie) Wait.
What do we know about job interviews?

Shot 10 Panel 5 Dialog ANNIE Nothing, but we're good
at figuring stuff out. Brian needs us.

Shot 10 Panel 6 Dialog ANNIE Just look at him.

Shot 12 Panel 2 Dialog ANNIE We'll help Chris get
the job

Shot 13 Panel 1 Dialog ANNIE (OS) and that'll help
you be assistant manager again!

Shot 14 Panel 1 Dialog ANNIE It's a win, win!

Shot 14 Panel 2 Dialog PONY And that'll help me
help myself to the rare comics.

Shot 14 Panel 3 Dialog PONY It’s a win, win...

Shot 14 Panel 4 Dialog PONY Wait...

Shot 14 Panel 5 Dialog PONY Win, win, win, win?

Shot 15 Panel 1 Dialog BRIAN Wow, thanks Annie. You're
a really good friend.

Shot 15 Panel 2 Dialog PONY Win, win, win, win,
win!

Shot 16 Panel 1 Dialog ANNIE How hard can it
be to get a job?

Shot 16 Panel 2 Dialog ANNIE She just has to
look neat

Shot 16 Panel 3 Dialog ANNIE and show that she
can handle pressure.

Shot 17 Panel 1 Dialog CHRIS Gaah!! That was my
last life!

last life!

Shot 20 Panel 2 Dialog BRIAN Good luck. She gets
mad kind of easily

Shot 20 Panel 3 Dialog BRIAN and you don't want
to be around when that happens.

Shot 20 Panel 4 Dialog ANNIE Relax.

Shot 20 Panel 5 Dialog ANNIE Relax.

Shot 20 Panel 6 Dialog ANNIE She loves us.

Shot 21 Panel 1 Dialog ANNIE Hey, Chris.

Shot 21 Panel 2 Dialog ANNIE How about we help
you get ready for that big interview today?

Shot 21 Panel 3 Dialog CHRIS Nah. I'm all set.
I'm gonna ace it.

Shot 22 Panel 1 Dialog PONY You sure?

Shot 22 Panel 2 Dialog PONY You look--

Shot 22 Panel 3 Dialog ANNIE (interrupting) Great!

Shot 22 Panel 4 Dialog ANNIE (interrupting) Great!

Shot 23 Panel 1 Dialog ANNIE But if you really
want that job, you need to dress for success.

Shot 23 Panel 4 Dialog ANNIE Let's go to the
mall and pick out something professional.

Shot 24 Panel 1 Dialog CHRIS OK. That's really nice
of you.

of you.

Shot 26 Panel 1 Dialog CHRIS We better hurry. My
interview's in a half hour!

Shot 0 Panel 1 Dialog PONY Oh. I love this

Shot 1 Panel 1 Dialog PONY and this

Shot 2 Panel 1 Dialog PONY and this!

Shot 3 Panel 1 Dialog ANNIE (to Chris) These'll look
great!

Shot 3 Panel 2 Dialog ANNIE (to Chris) Try 'em
on.

Shot 3 Panel 3 Dialog CHRIS I sure hope I
get that job.

Shot 3 Panel 4 Dialog CHRIS I hate working in
the comic shop.

Shot 4 Panel 5 Dialog PONY Wait! Try this too.
It'll tie the whole look together.

Shot 4 Panel 6 Dialog PONY Wait! Try this too.
It'll tie the whole look together.

Shot 4 Panel 7 Dialog CHRIS (O.S.) OK, bring it
in.

Shot 5 Panel 5 Dialog PONY Unlock the door!

Shot 5 Panel 6 Dialog CHRIS (O.S.) It's not locked.

Shot 5 Panel 7 Dialog PONY It's stuck!

Shot 6 Panel 5 Dialog ANNIE I think you're supposed
to-

Shot 6 Panel 6 Dialog ANNIE I think you're supposed
to-

Shot 6 Panel 9 Dialog ANNIE Pull it

Shot 6 Panel 10 Dialog PONY Whoops.

Shot 7 Panel 1 Dialog CHRIS Hey! I'm locked in.
Let me out!

Shot 8 Panel 1 Dialog ANNIE Pony, we gotta get
her out of there!

Shot 8 Panel 2 Dialog ANNIE She can't be late
for her interview.

Shot 9 Panel 3 Dialog ANNIE Do something! Before she
gets mad!

Shot 9 Panel 4 Dialog CHRIS (O.S.) GET! ME! OUT!

Shot 9 Panel 5 Dialog PONY Don't worry. I have
a plan!

Shot 0 Panel 1 Dialog DAD I'm not following. If
you locked Chris in the dressing room,

Shot 0 Panel 2 Dialog DAD then who's stuck in
here?

Shot 1 Panel 1 Dialog ANNIE I'm getting to it.

Shot 2 Panel 2 Dialog PONY Popcorn?

Shot 1 Panel 1 Dialog PONY There's a girl trapped
in a dressing room next door!

Shot 1 Panel 2 Dialog PONY There's a girl trapped
in a dressing room next door!

Shot 1 Panel 3 Dialog CLERK You came to the
right place.

Shot 1 Panel 4 Dialog CLERK We got power tools,
bolt cutters, jack hammers, blow torches, buzzsaws.

Shot 3 Panel 1 Dialog CLERK Huh?

Shot 3 Panel 2 Dialog CLERK Guess it wasn't an
emergency.

Shot 0 Panel 1 Dialog CHRIS (OS) I can't be
late!

Shot 0 Panel 2 Dialog ANNIE Don't freak out. We'll
have you out in a minute. Pony's on it!

Shot 0 Panel 8 Dialog PONY (O.S.) Made it!

Shot 1 Panel 1 Dialog CHRIS Great! What's the plan?

Shot 1 Panel 2 Dialog PONY (O.S.) Stand back.

Shot 1 Panel 4 Dialog PONY (O.S.) Let us out!

Shot 1 Panel 5 Dialog CHRIS (O.S.) That was your
plan? To knock?

Shot 1 Panel 6 Dialog PONY (O.S.) To knock forcefully.

Shot 1 Panel 7 Dialog CHRIS (O.S.)Is that a bee
in a jar? Why do you have that? PONY (O.S.) I don't know. Maybe I should let him out.

Shot 1 Panel 8 Dialog CHRIS (OS) NOT IN HERE!

Shot 2 Panel 2 Dialog CHRIS I can still make
it!

Shot 2 Panel 3 Dialog CHRIS I can still make
it!

Shot 2 Panel 4 Dialog ANNIE And you look amazing!

Shot 4 Panel 4 Dialog CHRIS I do!

Shot 5 Panel 2 Dialog CHRIS Thanks Annie!

Shot 6 Panel 2 Dialog ANNIE Good job, us!

Shot 6 Panel 3 Dialog PONY What now?

Shot 6 Panel 4 Dialog ANNIE Back to the comic
shop to give Brian the good news.

Shot 0 Panel 1 Dialog DAVE You're late.

Shot 1 Panel 1 Dialog CHRIS Fashionably late?

Shot 2 Panel 1 Dialog DAVE Huh?

Shot 3 Panel 1 Dialog CHRIS I was getting new
clothes.

Shot 3 Panel 2 Dialog CHRIS Aren't they great?

Shot 4 Panel 1 Dialog DAVE No. This is the
sewer, not some fancy office.

Shot 5 Panel 1 Dialog CHRIS So, do I get
the job?

Shot 5 Panel 2 Dialog DAVE Absolutely not.

Shot 7 Panel 1 Dialog DAVE You OK?..

Shot 0 Panel 1 Dialog CHRIS (O.S.) <CRY OF RAGE>

Shot 0 Panel 2 Dialog ANNIE Put your broom away,
Brian.

Shot 1 Panel 1 Dialog ANNIE Thanks to us, you're
about to get a promotion.

Shot 1 Panel 2 Dialog ANNIE Thanks to us, you're
about to get a promotion.

Shot 1 Panel 3 Dialog PONY Win. Win.

Shot 1 Panel 5 Dialog PONY Win-win-win.

Shot 2 Panel 1 Dialog BRIAN Thanks, you guys! You're
the best.

Shot 2 Panel 2 Dialog BRIAN Thanks, you guys! You're
the best.

Shot 3 Panel 1 Dialog ANNIE We are the best,
aren't we?

Shot 3 Panel 3 Dialog BRIAN (OS) You didn't...

Shot 4 Panel 1 Dialog BRIAN You're gonna do what?...
Calm down, Chris...

Shot 5 Panel 2 Dialog PONY Sounds like good news.

Shot 6 Panel 1 Dialog BRIAN You have about ten
seconds to disappear.

Shot 6 Panel 2 Dialog BRIAN You have about ten
seconds to disappear.

Shot 6 Panel 3 Dialog PONY We're the best AND
we have magical powers?!

Shot 0 Panel 6 Dialog ANNIE Phew.

Shot 0 Panel 7 Dialog ANNIE We are safe.

Shot 0 Panel 8 Dialog PONY Yeah. Chris will never
think of looking for us

Shot 1 Panel 1 Dialog PONY in our own house.

Shot 1 Panel 1 Dialog PONY So? What's th e
plan? Regular hiding place or backup hiding place?

Shot 1 Panel 2 Dialog ANNIE (to the elevator) Come
on... Come onnnn!!

Shot 2 Panel 1 Dialog OS: heavy brething

Shot 2 Panel 2 Dialog ANNIE Why are you so
out of breath?

Shot 2 Panel 3 Dialog PONY Me? Why are YOU
so out of breath?

so out of breath?

Shot 6 Panel 1 Dialog ANNIE When she gets out
of there, she's gonna mangle us!

Shot 6 Panel 2 Dialog ANNIE Do something!

Shot 6 Panel 4 Dialog PONY Fixed it.

Shot 6 Panel 5 Dialog CHRIS (O.S.) LET ME OUTTA
HERE!

Shot 7 Panel 1 Dialog PONY (to Chris) Not until
you calm down!

Shot 8 Panel 1 Dialog PONY (to Chris) Not until
you calm down!

Shot 9 Panel 1 Dialog ANNIE Maybe we did blow
that job for her.

Shot 10 Panel 1 Dialog ANNIE But we can still
help Brian.

Shot 10 Panel 2 Dialog ANNIE We'll just get her
another one.

Shot 10 Panel 3 Dialog PONY Which part of the
win win win is this?

Shot 10 Panel 4 Dialog ANNIE What kind of job
would be right for her? Think, Pony!

Shot 10 Panel 8 Dialog CHRIS (O.S.) When I get
outta here, I'm gonna crush you!

Shot 11 Panel 2 Dialog ANNIE Uh... Chris? Hello?

Shot 13 Panel 1 Dialog ANNIE We're gonna let you
out, as soon as you calm down.

Shot 13 Panel 2 Dialog PONY Which you're gonna do
because we found the perfect job for you!

Shot 13 Panel 3 Dialog ANNIE It's at Honest Joe’s
Used Car Crushers.

Shot 13 Panel 4 Dialog ANNIE You get to crush
things!

Shot 14 Panel 1 Dialog CHRIS Actually that sounds good.

Shot 14 Panel 2 Dialog CHRIS Actually that sounds good.

Shot 15 Panel 1 Dialog ANNIE Honest Joe's gonna call
any second to interview you.

Shot 15 Panel 2 Dialog PONY Does the sheet look
crooked to you?

Shot 15 Panel 3 Dialog ANNIE Pony, leave it! He's
calling!

Shot 16 Panel 1 Dialog ANNIE You got this, Chris!

Shot 0 Panel 2 Dialog MOM So Honest Joe gave
her the job?

Shot 0 Panel 3 Dialog CHRIS (OS) NO!!

Shot 0 Panel 4 Dialog DAD No spoilers!

Shot 1 Panel 1 Dialog HONEST JOE At Honest Joe's,
you gotta like crushing stuff,

Shot 1 Panel 2 Dialog HONEST JOE but you also
gotta be honest.

Shot 2 Panel 1 Dialog CHRIS I'm honest. I promise.

Shot 3 Panel 1 Dialog HONEST JOE Well, you look
honest, so you got the job!

Shot 3 Panel 2 Dialog ANNIE (whispers to Pony) Yes!
I can't wait to tell Brian!

Shot 3 Panel 3 Dialog ANNIE (whispers to Pony) Yes!
I can't wait to tell Brian!

Shot 4 Panel 1 Dialog PONY It's definitely crooked.

Shot 5 Panel 1 Dialog ANNIE Pony, no!

Shot 9 Panel 1 Dialog HONEST JOE <GASP> You're not
really in an office!

Shot 9 Panel 2 Dialog HONEST JOE That's not honest!

Shot 10 Panel 1 Dialog CHRIS But I still got
the job?

Shot 11 Panel 1 Dialog HONEST JOE No, you didn't
get the job!

Shot 13 Panel 1 Dialog ANNIE Now Chris...

Shot 13 Panel 2 Dialog ANNIE Don't get mad.

Shot 15 Panel 1 Dialog ANNIE There are other jobs.
We'll help you--

We'll help you--

Shot 16 Panel 1 Dialog CHRIS STOP HELPING ME!!

Shot 18 Panel 1 Dialog ANNIE What are we gonna
do?

Shot 18 Panel 2 Dialog MOM (O.S.) Annie! Pony! Dinner!

Shot 18 Panel 3 Dialog PONY We'd better eat. You
know I think better on a full stomach.

Shot 18 Panel 4 Dialog PONY We'd better eat. You
know I think better on a full stomach.

Shot 18 Panel 8 Dialog PONY She's not going anywhere.

Shot 0 Panel 2 Dialog DAD You just left her?!

Shot 0 Panel 3 Dialog MOM I'd be quite irate
as well!

Shot 1 Panel 1 Dialog ANNIE I know! We're terrible
people!

Shot 2 Panel 1 Dialog PONY Nah, you guys aren't
so bad.

Shot 3 Panel 1 Dialog PANCKS I’ll have her out
in no time. Then we can discuss damages.

Shot 4 Panel 3 Dialog ANNIE/PONY NOOOO!!!!

Shot 8 Panel 1 Dialog MOM Mrs. Okaba? Have you
been in there this whole time?

Shot 9 Panel 1 Dialog MRS. OKABA Hello, dear.

Shot 9 Panel 3 Dialog MRS. OKABA Is that a
bee in a jar?

Shot 9 Panel 4 Dialog MRS. OKABA You oughta let
him out.

Shot 10 Panel 1 Dialog PONY Good idea.

Shot 10 Panel 3 Dialog EVERYONE No!/Not here!/Outside!

Shot 11 Panel 1 Dialog DAD Wait.

Shot 11 Panel 2 Dialog DAD Where's Chris?

Shot 12 Panel 1 Dialog MRS. OKABA The girl with
the anger issues?

Shot 14 Panel 1 Dialog ANNIE Pony!

Shot 14 Panel 2 Dialog ANNIE Pony!

Shot 14 Panel 3 Dialog ANNIE RUN!!

Shot 0 Panel 3 Dialog PONY Quick! In here!

Shot 1 Panel 1 Dialog ANNIE What is it?

Shot 1 Panel 2 Dialog PONY Come on, Annie. You
know this.

Shot 1 Panel 3 Dialog PONY It's a bee in
a jar.

Shot 3 Panel 1 Dialog ANNIE Ew! It’s gross in
here!

Shot 3 Panel 2 Dialog PONY It’s not the worst
elevator I’ve been in.

Shot 3 Panel 3 Dialog ANNIE Elevator? Pony, you pee
in these!

Shot 3 Panel 4 Dialog PONY Yeah. An elevator.

Shot 3 Panel 5 Dialog PONY See?

Shot 3 Panel 7 Dialog ANNIE Whoa! We’re going up!

Shot 3 Panel 8 Dialog PONY Yes. It's an elevator.

Shot 10 Panel 1 Dialog FOREMAN Hey!

Shot 10 Panel 2 Dialog FOREMAN Put that down!

Shot 14 Panel 1 Dialog PONY Going down!

Shot 14 Panel 2 Dialog ANNIE Uh oh! She's going
to drop us! And I don't blame her.

Shot 14 Panel 3 Dialog ANNIE We deserve it. We
messed up.

Shot 14 Panel 4 Dialog PONY You're saying we shouldn't
pee in elevators?

Shot 15 Panel 4 Dialog FOREMAN So. What have we
here?

Shot 15 Panel 5 Dialog PONY <Sigh> Bee in a
jar.

Shot 15 Panel 6 Dialog FOREMAN Ah! Thought so.

Shot 17 Panel 1 Dialog CHRIS Time to finish the
job!

Shot 17 Panel 2 Dialog CHRIS I'm gonna demolish you!

Shot 18 Panel 3 Dialog FOREMAN You don’t want to
do that.

Shot 18 Panel 4 Dialog FOREMAN You don’t want to
do that.

Shot 19 Panel 1 Dialog CHRIS Yes I do.

Shot 20 Panel 1 Dialog PONY Yeah, she really does.

Shot 21 Panel 1 Dialog FOREMAN But you'll go to
jail and if you’re in jail,

Shot 21 Panel 2 Dialog FOREMAN you can't be my
new wrecking ball operator.

Shot 22 Panel 1 Dialog ANNIE/PONY/CHRIS HUH?!

Shot 23 Panel 1 Dialog FOREMAN This young woman handles
a crane with the precision of a surgeon!

Shot 23 Panel 2 Dialog FOREMAN This young woman handles
a crane with the precision of a surgeon!

Shot 23 Panel 3 Dialog CHRIS I am ranked platinum
in "Scalpel Quest".

Shot 24 Panel 1 Dialog FOREMAN And that pantsuit!

Shot 24 Panel 2 Dialog FOREMAN So professional.

Shot 25 Panel 1 Dialog CHRIS I know.

Shot 25 Panel 2 Dialog CHRIS I love it!

Shot 26 Panel 1 Dialog ANNIE Wait. You're giving her
a job? What about her terrible temper?

Shot 26 Panel 2 Dialog FOREMAN The best wrecking ball
operators are filled with rage.

Shot 26 Panel 3 Dialog FOREMAN Gives them a thirst
for demolition.

Shot 29 Panel 1 Dialog CHRIS I got a JOB!
A real job! And it's all thanks to you!

Shot 31 Panel 2 Dialog CHRIS Do me a favor.

Shot 31 Panel 3 Dialog CHRIS Give this to Brian
for me.

Shot 31 Panel 4 Dialog CHRIS Give this to Brian
for me.

Shot 31 Panel 5 Dialog PONY The comic cabinet key!

Shot 31 Panel 6 Dialog PONY Let’s go!

Shot 33 Panel 1 Dialog ANNIE I bet if we’d
just let Chris out when we first trapped her,

Shot 33 Panel 2 Dialog ANNIE she wouldn't have done
anything bad.

Shot 33 Panel 3 Dialog PONY Heeey! Just like my
bee in a jar!

Shot 33 Panel 4 Dialog PONY So you're saying I
can let it out now and it won't do anything bad!

Shot 33 Panel 5 Dialog PONY So you're saying I
can let it out now and it won't do anything bad!

Shot 34 Panel 1 Dialog ANNIE That's not what I'm
saying!

Shot 35 Panel 1 Dialog PONY The lid is on
pretty tight.

Shot 35 Panel 6 Dialog ANNIE Oh, thank goodness for
th-

Shot 35 Panel 7 Dialog CHRIS I got it.

Shot 37 Panel 1 Dialog CHRIS There. We’re even.

Shot 0 Panel 1 Dialog BRIAN (V.O.) Thanks for getting
my job back guys. PONY (V.O.) I'm just happy to be back in the comic cabinet.

Shot 1 Panel 1 Dialog ANNIE I just hope one
day we’ll be able to get out of it.

It's Pony - 212

It's Pony - 212

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