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Investigation

Avatar for Isa H Isa H
PRO
October 20, 2024
Storyboards
1
390

 Investigation

Neon Noir. In the depths of a cyberpunk-city, a rookie investigates the apartment of a dead girl's boyfriend. Not all is as it seems.
Avatar for Isa H

Isa H
PRO

October 20, 2024
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Transcript

  1. Scene 1 Panel 1 Page 1/248

  2. Scene 1 Panel 2 Page 2/248

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  10. Scene 1 Panel 9 Page 10/248

  11. Scene 1 Panel 10 Page 11/248

  12. Scene 1 Panel 11 Page 12/248

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  14. Scene 1 Panel 13 Page 14/248

  15. Scene 1 Panel 13 Page 15/248

  16. Scene 1 Panel 14 Page 16/248

  17. Scene 1 Panel 14 Page 17/248

  18. Scene 1 Panel 15 Page 18/248

  19. Scene 1 Panel 16 Page 19/248

  20. Scene 1 Panel 17 Page 20/248

  21. Scene 1 Panel 18 Page 21/248

  22. Scene 1 Panel 19 Page 22/248

  23. Scene 1 Panel 20 Page 23/248

  24. Scene 2 Panel 1 Page 24/248

  25. Scene 2 Panel 2 Page 25/248

  26. Scene 2 Panel 3 Page 26/248

  27. Scene 2 Panel 4 Page 27/248

  28. Scene 2 Panel 5 Page 28/248

  29. Scene 3 Panel 1 Page 29/248

  30. Scene 3 Panel 2 Page 30/248

  31. Scene 3 Panel 3 Page 31/248

  32. Scene 3 Panel 4 Page 32/248

  33. Scene 3 Panel 5 Page 33/248

  34. Scene 3 Panel 6 Dialog ANJIE: Hi, Jason Rodgers? Page

    34/248

  35. Scene 3 Panel 7 Dialog ANJIE: I'm from OTAUM PD

    I'm here about the ongoing Iris Lee case. Page 35/248

  36. Scene 4 Panel 1 Dialog KANE: Shh shhh- Page 36/248

  37. Scene 4 Panel 2 Dialog KANE: Can you just- wait.

    Page 37/248

  38. Scene 4 Panel 3 Dialog KANE: First of all- never

    call me Jason, it's Kane. Page 38/248

  39. Scene 4 Panel 4 Dialog KANE: Second- Wait- you're here

    for what? Page 39/248

  40. Scene 5 Panel 1 Page 40/248

  41. Scene 5 Panel 2 Dialog ANJIE: I just need to

    collect any remaining belongings for Iris Lee's family? Page 41/248

  42. Scene 6 Panel 1 Dialog KANE: Ugh you people are

    annoying. Page 42/248

  43. Scene 6 Panel 2 Dialog KANE: Do you have any

    identification or like.. proof? I've met half of the OPD and never seen you. Page 43/248

  44. Scene 6 Panel 3 Page 44/248

  45. Scene 6 Panel 4 Dialog ANJIE: I'm new. Page 45/248

  46. Scene 6 Panel 5 Dialog KANE: Damn. Page 46/248

  47. Scene 6 Panel 6 Page 47/248

  48. Scene 7 Panel 1 Dialog KANE: (Sigh) Page 48/248

  49. Scene 7 Panel 2 Page 49/248

  50. Scene 7 Panel 3 Dialog KANE: Alright fine yeah. Page

    50/248

  51. Scene 7 Panel 4 Dialog KANE: Take whatever you need.

    Who cares. Page 51/248

  52. Scene 8 Panel 1 Dialog ANJIE: We really appreciate your

    cooperation with this uh- investigation. Page 52/248

  53. Scene 8 Panel 2 Dialog ANJIE: I'll be in and

    out in 10 minutes max. Page 53/248

  54. Scene 8 Panel 3 Dialog KANE: Whatever. Page 54/248

  55. Scene 8 Panel 4 Dialog KANE: Come on in. Page

    55/248

  56. Scene 8 Panel 5 Dialog ANJIE: Thanks. Page 56/248

  57. Scene 8 Panel 6 Page 57/248

  58. Scene 8 Panel 7 Page 58/248

  59. Scene 8 Panel 8 Page 59/248

  60. Scene 8 Panel 9 Page 60/248

  61. Scene 9 Panel 1 Page 61/248

  62. Scene 9 Panel 2 Page 62/248

  63. Scene 9 Panel 3 Page 63/248

  64. Scene 9 Panel 4 Page 64/248

  65. Scene 9 Panel 5 Page 65/248

  66. Scene 9 Panel 6 Page 66/248

  67. Scene 9 Panel 7 Page 67/248

  68. Scene 10 Panel 1 Page 68/248

  69. Scene 10 Panel 2 Page 69/248

  70. Scene 10 Panel 3 Page 70/248

  71. Scene 10 Panel 4 Page 71/248

  72. Scene 11 Panel 1 Dialog KANE: You can keep your

    shoes on. Page 72/248

  73. Scene 12 Panel 1 Dialog KANE: You can keep your

    shoes on. Page 73/248

  74. Scene 13 Panel 1 Dialog KANE: Sorry about the smell.

    I've been really busy with the. You know. All of it. Page 74/248

  75. Scene 13 Panel 2 Dialog KANE: Sorry about the smell.

    I've been really busy with the. You know. All of it. Page 75/248

  76. Scene 13 Panel 3 Dialog KANE: Sorry about the smell.

    I've been really busy with the. You know. All of it. Page 76/248

  77. Scene 13 Panel 4 Dialog KANE: Sorry about the smell.

    I've been really busy with the. You know. All of it. Page 77/248

  78. Scene 14 Panel 1 Dialog KANE: Sorry about the smell.

    I've been really busy with the. You know. All of it. Page 78/248

  79. Scene 14 Panel 2 Dialog KANE: We have our album

    release show coming up so I haven't really had time to think about anything but Kane Slash Able. Page 79/248

  80. Scene 14 Panel 3 Dialog KANE: We have our album

    release show coming up so I haven't really had time to think about anything but Kane Slash Able. Page 80/248

  81. Scene 14 Panel 4 Dialog ANJIE: Your band? You're suppose

    to say the slash? Not just Kane Able? Page 81/248

  82. Scene 15 Panel 1 Dialog KANE: Yeah. It's like, an

    artistic choice. Page 82/248

  83. Scene 15 Panel 2 Page 83/248

  84. Scene 15 Panel 3 Dialog ANJIE: You're still considered pretty

    underground right? Do you mind me asking how... you met a neuro-engineer like Iris? Page 84/248

  85. Scene 15 Panel 4 Dialog ANJIE: You're still considered pretty

    underground right? Do you mind me asking how... you met a neuro-engineer like Iris? Page 85/248

  86. Scene 16 Panel 1 Dialog KANE: She came to my

    gigs. Was basically a groupie. Page 86/248

  87. Scene 16 Panel 2 Dialog KANE: She came to my

    gigs. Was basically a groupie. Page 87/248

  88. Scene 16 Panel 3 Dialog KANE: We started hanging out

    and she moved in a month later. Page 88/248

  89. Scene 17 Panel 1 Dialog ANJIE: She lived here full

    time? Didn't she have her own place uptown? Page 89/248

  90. Scene 17 Panel 2 Dialog KANE: She was chill. Page

    90/248

  91. Scene 17 Panel 3 Dialog ANJIE: It's just that she

    seemed- Page 91/248

  92. Scene 17 Panel 4 Dialog KANE: Too good for this?

    Page 92/248

  93. Scene 17 Panel 5 Dialog ANJIE: Not necessarily... I'm just

    surprised is all. Page 93/248

  94. Scene 17 Panel 6 Dialog KANE: Surprised? Based on what?

    Page 94/248

  95. Scene 17 Panel 7 Dialog ANJIE: I just mean my

    observations during the investigation painted a different picture- Page 95/248

  96. Scene 18 Panel 1 Dialog KANE: Do you really know

    enough to be surprised? Page 96/248

  97. Scene 18 Panel 2 Dialog KANE: Do you really know

    enough to be surprised? Page 97/248

  98. Scene 18 Panel 3 Dialog KANE: You didn't know her,

    right? Page 98/248

  99. Scene 18 Panel 4 Dialog KANE: What exactly are you

    investigating? Page 99/248

  100. Scene 18 Panel 5 Dialog KANE: Her death was an

    accident right? Page 100/248

  101. Scene 18 Panel 6 Dialog KANE: Her death was an

    accident right? Page 101/248

  102. Scene 19 Panel 1 Dialog KANE: Her death was an

    accident right? Page 102/248

  103. Scene 19 Panel 2 Dialog ANJIE: I... my mistake. I'm

    still new to this, the different.. our cases kind of run together. Page 103/248

  104. Scene 19 Panel 3 Dialog ANJIE: I... my mistake. I'm

    still new to this, the different.. our cases kind of run together. Page 104/248

  105. Scene 20 Panel 1 Dialog KANE: Mhm. Page 105/248

  106. Scene 20 Panel 2 Dialog KANE: Mhm. Page 106/248

  107. Scene 20 Panel 3 Page 107/248

  108. Scene 20 Panel 4 Page 108/248

  109. Scene 20 Panel 5 Page 109/248

  110. Scene 20 Panel 6 Page 110/248

  111. Scene 20 Panel 7 Dialog KANE: Want one? Page 111/248

  112. Scene 20 Panel 8 Dialog ANJIE: Oh, no thanks- Page

    112/248

  113. Scene 20 Panel 9 Dialog ANJIE: I'm not- I don't

    drink fuel. Page 113/248

  114. Scene 20 Panel 10 Dialog KANE: Sure you don't. Page

    114/248

  115. Scene 20 Panel 11 Page 115/248

  116. Scene 20 Panel 12 Page 116/248

  117. Scene 20 Panel 13 Page 117/248

  118. Scene 20 Panel 14 Dialog ANJIE: Is that the bedroom?

    Page 118/248

  119. Scene 20 Panel 15 Page 119/248

  120. Scene 20 Panel 16 Dialog KANE: Mhm. Page 120/248

  121. Scene 20 Panel 17 Dialog ANJIE: Do you mind? Page

    121/248

  122. Scene 20 Panel 18 Page 122/248

  123. Scene 20 Panel 19 Dialog KANE: Knock yourself out. Page

    123/248

  124. Scene 20 Panel 20 Page 124/248

  125. Scene 21 Panel 1 Page 125/248

  126. Scene 21 Panel 2 Page 126/248

  127. Scene 21 Panel 3 Page 127/248

  128. Scene 21 Panel 4 Page 128/248

  129. Scene 22 Panel 1 Page 129/248

  130. Scene 22 Panel 2 Page 130/248

  131. Scene 23 Panel 1 Page 131/248

  132. Scene 23 Panel 1 Page 132/248

  133. Scene 23 Panel 1 Page 133/248

  134. Scene 23 Panel 1 Page 134/248

  135. Scene 24 Panel 1 Page 135/248

  136. Scene 24 Panel 2 Page 136/248

  137. Scene 24 Panel 3 Page 137/248

  138. Scene 24 Panel 4 Page 138/248

  139. Scene 24 Panel 5 Page 139/248

  140. Scene 24 Panel 6 Page 140/248

  141. Scene 24 Panel 7 Page 141/248

  142. Scene 24 Panel 8 Page 142/248

  143. Scene 24 Panel 9 Page 143/248

  144. Scene 25 Panel 1 Page 144/248

  145. Scene 25 Panel 2 Page 145/248

  146. Scene 25 Panel 3 Page 146/248

  147. Scene 25 Panel 4 Page 147/248

  148. Scene 25 Panel 5 Page 148/248

  149. Scene 26 Panel 1 Page 149/248

  150. Scene 26 Panel 2 Page 150/248

  151. Scene 26 Panel 3 Page 151/248

  152. Scene 27 Panel 1 Page 152/248

  153. Scene 28 Panel 1 Dialog *MUFFLED KNOCK on DOOR in

    the BG Page 153/248

  154. Scene 28 Panel 2 Page 154/248

  155. Scene 28 Panel 3 Dialog KANE: Coming, coming. Page 155/248

  156. Scene 28 Panel 4 Dialog ANJIE: Which of these posters

    are hers- did she keep any books around? Journals? Page 156/248

  157. Scene 28 Panel 5 Dialog ANJIE: Is this mirror hers?

    Is it something she's attached to? Page 157/248

  158. Scene 28 Panel 6 Dialog *Offscreen Door Open Sound. Page

    158/248

  159. Scene 28 Panel 7 Dialog *OFFSCREEN Door Open Sound. Page

    159/248

  160. Scene 29 Panel 1 Dialog KANE (O.S.): Oh- another one

    of you. Page 160/248

  161. Scene 29 Panel 2 Dialog KANE (O.S.): Oh- another one

    of you. Page 161/248

  162. Scene 30 Panel 1 Dialog RENA (O.S.): Another one? Page

    162/248

  163. Scene 30 Panel 2 Dialog KANE (O.S.): I don't see

    why it takes more than one cop to take my dead girlfriend's stuff but- Page 163/248

  164. Scene 30 Panel 3 Dialog KANE (O.S.): I don't see

    why it takes more than one cop to take my dead girlfriend's stuff but- Page 164/248

  165. Scene 30 Panel 4 Dialog KANE (O.S.): I don't see

    why it takes more than one cop to take my dead girlfriend's stuff but- Page 165/248

  166. Scene 30 Panel 5 Dialog RENA (O.S.) You've got a

    lot of nerve for a murder suspect. Page 166/248

  167. Scene 30 Panel 6 Dialog ANJIE: WAIT- it's not- Page

    167/248

  168. Scene 31 Panel 1 Dialog ANJIE: WAIT- it's not- Page

    168/248

  169. Scene 31 Panel 2 Dialog ANJIE: WAIT- it's not- Page

    169/248

  170. Scene 31 Panel 3 Dialog ANJIE: WAIT- it's not- Page

    170/248

  171. Scene 31 Panel 4 Dialog ANJIE: WAIT- it's not- Page

    171/248

  172. Scene 32 Panel 1 Page 172/248

  173. Scene 32 Panel 2 Page 173/248

  174. Scene 32 Panel 3 Dialog RENA: Funny, I though I

    knew all the loose canon cadets in OPD. Page 174/248

  175. Scene 32 Panel 4 Dialog RENA: In fact I'm fairly

    certain you're not OPD at all. Impersonating an officer is a serious crime, you know. Page 175/248

  176. Scene 33 Panel 1 Dialog ANJIE: I can explain I

    promise- Page 176/248

  177. Scene 33 Panel 2 Dialog RENA (O.S.): You're the childhood

    friend aren't you- Iris Lee's first guinea pig? Page 177/248

  178. Scene 34 Panel 1 Dialog RENA: I thought I recognized

    you from the wake. Page 178/248

  179. Scene 35 Panel 1 Dialog RENA (O.S.): Cutting your hair

    isn't that creative a disguise. Page 179/248

  180. Scene 36 Panel 1 Dialog RENA: I wonder if you

    really even knew what she's mixed up in. Page 180/248

  181. Scene 36 Panel 2 Dialog RENA: Guess we'll find out

    in interrogation. Page 181/248

  182. Scene 36 Panel 3 Dialog RENA: I'm gonna need both

    of you to come back uptown with me, if you're smart you'll come quietly. Page 182/248

  183. Scene 36 Panel 4 Dialog RENA: I'm gonna need both

    of you to come back uptown with me, if you're smart you'll come quietly. Page 183/248

  184. Scene 36 Panel 5 Dialog RENA: I'm gonna need both

    of you to come back uptown with me, if you're smart you'll come quietly. Page 184/248

  185. Scene 37 Panel 1 Dialog RENA: I'm gonna need both

    of you to come back uptown with me, if you're smart you'll come quietly. Page 185/248

  186. Scene 37 Panel 2 Dialog RENA: I'm gonna need both

    of you to come back uptown with me, if you're smart you'll come quietly. Page 186/248

  187. Scene 37 Panel 3 Page 187/248

  188. Scene 37 Panel 4 Page 188/248

  189. Scene 37 Panel 5 Page 189/248

  190. Scene 37 Panel 6 Page 190/248

  191. Scene 38 Panel 1 Page 191/248

  192. Scene 38 Panel 2 Page 192/248

  193. Scene 38 Panel 3 Page 193/248

  194. Scene 38 Panel 4 Page 194/248

  195. Scene 38 Panel 5 Page 195/248

  196. Scene 38 Panel 6 Page 196/248

  197. Scene 38 Panel 7 Page 197/248

  198. Scene 39 Panel 1 Page 198/248

  199. Scene 39 Panel 2 Page 199/248

  200. Scene 39 Panel 3 Page 200/248

  201. Scene 40 Panel 1 Page 201/248

  202. Scene 40 Panel 2 Page 202/248

  203. Scene 40 Panel 3 Page 203/248

  204. Scene 41 Panel 1 Page 204/248

  205. Scene 41 Panel 2 Page 205/248

  206. Scene 41 Panel 3 Page 206/248

  207. Scene 41 Panel 4 Page 207/248

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  209. Scene 41 Panel 6 Page 209/248

  210. Scene 41 Panel 7 Page 210/248

  211. Scene 41 Panel 8 Page 211/248

  212. Scene 41 Panel 9 Page 212/248

  213. Scene 41 Panel 10 Page 213/248

  214. Scene 41 Panel 11 Page 214/248

  215. Scene 43 Panel 1 Page 215/248

  216. Scene 43 Panel 2 Page 216/248

  217. Scene 43 Panel 3 Page 217/248

  218. Scene 44 Panel 1 Page 218/248

  219. Scene 44 Panel 2 Page 219/248

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  225. Scene 46 Panel 1 Page 225/248

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  227. Scene 46 Panel 3 Page 227/248

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  243. Scene 48 Panel 10 Page 243/248

  244. Scene 49 Panel 1 Page 244/248

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  248. Scene 49 Panel 5 Page 248/248