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Multiple Ones: Contemporary Perspectives in Pri...

goloborotko
April 12, 2020
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Multiple Ones: Contemporary Perspectives in Printmedia

Multiple Ones: Contemporary Perspectives in Printmedia was curated in 2018 for the Hunterdon Art Museum in NJ by Sheila Goloborotko. It was exhibited at Kwan Fong Gallery and William Rolland Gallery at the California Lutheran University in Thousand Oaks, CA in 2019 and it is currently at the Museum of Contemporary Art in Jacksonville, FL, 2020

goloborotko

April 12, 2020
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  1. MULTIPLE ONES Contemporary Perspectives in Printmedia Hunterdon Art Museum Clinton,

    NJ May 12 - September 2, 2018 Kwan Fong Gallery and William Rolland Gallery California Lutheran University Thousand Oaks, CA August 22, 2019 - October 23, 2019 Museum of Contemporary Art University of North Florida Jacksonville, FL April 1 - August 30, 2020
  2. Justin Barfield, IN Shawn Bitters, KS Vanessa B. Cruz, FL

    Florence Gidez, NY Rebecca Gilbert, PA Ruthann Godollei, MN Sheila Goloborotko, FL Brandie Grogan, CA John Hitchcock, WI Andrew Kozlowski, FL Lauren Kussro, TX Nathan Meltz, NY Guen Montgomery, IL Jill Parisi, NY Andrew Raftery, RI Samantha Parker Salazar, IL Marliee Salvator, KY Mizin Shin, NY Swoon, NY Eszter Sziksz, TN
  3. Sheila Goloborotko Sistema: Screenprinted handcut Mylar, Variable Dimensions, 2016 Lufrano

    Gallery SHEILA GOLOBOROTKO Corrientes: Handcut aluminum, variable dimensions, 2016 CENTRO CULTURAL ATARAZANAS PIEDRA MÚCARA
  4. Sheila Goloborotko Sistema: Screenprinted handcut Mylar, Variable Dimensions, 2016 Lufrano

    Gallery SHEILA GOLOBOROTKO Sistema: Screenprinted handcut Mylar, variable dimensions, 2016 Centro Cultural Atarazanas
  5. Sheila Goloborotko Sistema: Screenprinted handcut Mylar, Variable Dimensions, 2016 Lufrano

    Gallery Sheila Goloborotko Sistema: Screenprinted handcut Mylar, variable dimensions, 2016 Kwan Fong Galery
  6. JOHN HITCHCOCK (left) /JUSTIN BARFIELD (floor) SHEILA GOLOBOROTKO/VANESSA B. CRUZ

    (center) / MARILEE SALVATOR (right) / Kwan Fong Gallery
  7. JUSTIN BARFIELD Scrap Pile: Paper, Rust, Wheat Paste, Variable Dimensions,

    2014. Kwan Fong Gallery JUSTIN BARFIELD Scrap Pile: Paper, rust, wheat paste, variable dimensions, 2014. Kwan Fong Gallery
  8. REBECCA GILBERT Raise Bed Fortune Patch: Photo etchings, 24” x

    36” x 36”, 2010-12 Hunterdon Art Museum
  9. REBECCA GILBERT Raise Bed Fortune Patch: Photo etchings, 24” x

    36” x 36”, 2010-12 Hunterdon Art Museum
  10. REBECCA GILBERT Raise Bed Fortune Patch: Photo etchings, 24” x

    36” x 36”, 2010-12 William Rolland Gallery
  11. MIZIN SHIN How Things Are Made Vol.1 / Virtual City_1000:

    Handprinted woodcuts, variable dimensions, 2017 William Rolland Gallery
  12. MIZIN SHIN How Things Are Made Vol.1 / Virtual City_1000:

    Handprinted woodcuts, Variable Dimensions, 2017 William Rolland Gallery
  13. MIZIN SHIN How Things Are Made Vol.1 / Virtual City_1000:

    Handprinted woodcuts, variable dimensions, 2017 Hunterdom Art Museum
  14. MIZIN SHIN How Things Are Made Vol.1 / Virtual City_1000:

    Handprinted woodcuts, variable dimensions, 2017 William Rolland Gallery
  15. LAUREN KUSSRO We Held to Each Other so Tightly, We

    became as One: Screenprint and monotype, threads, beads, variable dimensions, 2013 William Rolland Gallery
  16. LAUREN KUSSRO We Held to Each Other so Tightly, We

    became as One: Screenprint and monotype, threads, beads, variable dimensions, 2013 William Rolland Gallery
  17. LAUREN KUSSRO We Held to Each Other so Tightly, We

    became as One: Screenprint and monotype, threads, beads, variable dimensions, 2013 William Rolland Gallery
  18. LAUREN KUSSRO We Held to Each Other so Tightly, We

    became as One: Screenprint and monotype, threads, beads, variable dimensions, 2013 William Rolland Gallery
  19. LAUREN KUSSRO We Held to Each Other so Tightly, We

    became as One: Screenprint and monotype, threads, beads, variable dimensions, 2013 William Rolland Gallery
  20. LAUREN KUSSRO We Held to Each Other so Tightly, We

    became as One: Screenprint and monotype, threads, beads, variable dimensions, 2013 William Rolland Gallery
  21. NATHAN MELTZ Are You Ready for that Great Atomic Power?

    Part 6: Screenprint, variable dimensions, 2018 William Rolland Gallery
  22. NATHAN MELTZ Are You Ready for that Great Atomic Power?

    Part 6: Screenprint, variable dimensions, 2018 William Rolland Gallery
  23. NATHAN MELTZ Are You Ready for that Great Atomic Power?

    Part 6: Screenprint, variable dimensions, 2018 William Rolland Gallery
  24. NATHAN MELTZ Are You Ready for that Great Atomic Power?

    Part 6: Screenprint, variable dimensions, 2018 William Rolland Gallery
  25. NATHAN MELTZ Are You Ready for that Great Atomic Power?

    Part 6: Screenprint, variable dimensions, 2018 William Rolland Gallery
  26. BRANDI GROGAN What is the Meaning of All This: Screenprint

    on reclaimed wood, 22.5” x 18” x 3”, 2018 William Rolland Gallery
  27. BRANDI GROGAN What is the Meaning of All This: Screenprint

    on reclaimed wood, 22.5” x 18” x 3”, 2018 Hunterdon Art Museum
  28. ANDREW RAFTERY The Autobiography of a Garden: Engraving transfer-printed on

    glazed white earthenware, 12.5” diameter each, 2009-20016 Hunterdon Art Museum
  29. ANDREW RAFTERY The Autobiography of a Garden: Engraving transfer-printed on

    glazed white earthenware, 12.5” diameter each, 2009-20016
  30. ANDREW RAFTERY The Autobiography of a Garden: Engraving transfer-printed on

    glazed white earthenware, 12.5” diameter each, 2009-20016 Hunterdon Art Museum
  31. JANUARY Reading Seed Catalogs APRIL Edging the Beds JUNE Training

    a Passion Vine NOVEMBER Digging Dahlia Tubers
  32. ANDREW RAFTERY The Autobiography of a Garden: Engraving transfer-printed on

    glazed white earthenware, 12.5” diameter each, 2009-20016 Hunterdon Art Museum
  33. ANDREW RAFTERY The Autobiography of a Garden: Engraving transfer-printed on

    glazed white earthenware, 12.5” diameter each, 2009-20016 Rolland William Gallery
  34. SWOON Memento More E.V 2/12: Handprinted block print with coffee

    stain on cutout Mylar, 84” x 67”, 2018 William Rolland Gallery
  35. SWOON Memento More E.V 2/12: Handprinted block print with coffee

    stain on cutout Mylar, 84” x 67”, 2018 William Rolland Gallery
  36. SWOON Memento More E.V 2/12: Handprinted block print with coffee

    stain on cutout Mylar, 84” x 67”, 2018 William Rolland Gallery
  37. SWOON Memento More E.V 2/12: Handprinted block print with coffee

    stain on cutout Mylar, 84” x 67”, 2018 William Rolland Gallery
  38. SWOON Mini and the Sphynx: Handprinted block print with coffee

    stain on cutout Mylar, 84” x 76”, 2017 Hunterdon Art Museum
  39. SWOON Mini and the Sphynx: Handprinted block print with coffee

    stain on cutout Mylar, 84” x 76”, 2017 Hunterdon Art Museum
  40. GUEN MONTGOMERY Scrap Pile: Paper, Rust, Wheat Paste, Variable Dimensions,

    2014 Kwan Fong Gallery GUEN MONTGOMERY What Do We Deserve: Silver-plated object with selective tarnish removal, 12” x 4” x 2”, 2017 William Rolland Gallery
  41. GUEN MONTGOMERY What Do We Deserve: Silver-plated objects with selective

    tarnish removal, variable dimensions, 2017 William Rolland Gallery
  42. GUEN MONTGOMERY Parse Knives, Bowl: Silver-plated objects with selective tarnish

    removal, variable dimensions, 2017 William Rolland Gallery
  43. GUEN MONTGOMERY To Each Their Own, Eventually, Parse Knives, Bowl:

    Silver-plated objects with selective tarnish removal, variable dimensions, 2017 William Rolland Gallery
  44. GUEN MONTGOMERY Eventually, Sugar Bowl: Silver-plated object with selective tarnish

    removal, 4” x 5” x 3”, 2016 William Rolland Gallery
  45. RUTHANN GODOLLEI Infusion (Drink Me, for Flint): Laser cut stencil,

    sandblasted glass apothecary jar, adulterated water, letterpress label, 6” x 6” x 3”, 2017 William Rolland Gallery
  46. RUTHANN GODOLLEI Infusion (Drink Me, for Flint): Laser cut stencil,

    sandblasted glass apothecary jar, adulterated water, letterpress label, 6” x 6” x 3”, 2017 Hunterdon Art Museum
  47. RUTHANN GODOLLEI Caution Tape (for Philando Castle): Screenprint on plastic

    ribbon, variable dimensions, 2017 Hunterdon Art Museum
  48. RUTHANN GODOLLEI Scrap Pile: Paper, Rust, Wheat Paste, Variable Dimensions,

    2014 Kwan Fong Gallery RUTHANN GODOLLEI Caution Tape (for Philando Castle): Screenprint on plastic ribbon, variable dimensions, 2017 Hunterdon Art Museum
  49. RUTHANN GODOLLEI Caution Tape (for Philando Castle): Screenprint on plastic

    ribbon, variable dimensions, 2017 William Rolland Gallery
  50. RUTHANN GODOLLEI Caution Tape (for Philando Castle): Screenprint on plastic

    ribbon, variable dimensions, 2017 Hunterdon Art Museum
  51. RUTHANN GODOLLEI Caution Tape (for Philando Castle): Screenprint on plastic

    ribbon, variable dimensions, 2017 William Rolland Gallery
  52. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  53. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  54. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  55. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  56. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  57. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  58. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  59. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  60. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  61. SAMANTHA PARKER SALAZAR Scrap Pile: Paper, Rust, Wheat Paste, Variable

    Dimensions, 2014 Kwan Fong Gallery SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery