as danger and risk ‣ high arousal colours, especially when used in saturated shades ‣ perceived to be closer to the viewer = enhances perception of perspective ‣ white/blue light: cool/calm ‣ can portray tranquility ‣ low arousal colours, especially when used in pastel shades ‣ perceived to be further away from viewer = enhances perception of perspective cool warm chromodynamics
energy / caution / jealousy ‣ effect depending in additional colours ‣ expression of pleasant and cheerful emotion, used for highlights; if overused or in dull shades - can become unappealing YELLOW
values ‣ good colour schemes combine carefully selected colours by shade, tone and brightness for maximum impact ‣ screen display will influence decisions due to nature of light used ‣ pure colour value ‣ colour value changed towards shade of grey, affecting chroma ‣ colour value changed by addition of black/white
Flickr • photo: ORANGE : pumkin on leaves, by pink sherbert on Flickr • photo: YELLOW : autumn leaves, via Flickr • photo: GREEN : Photomicrography, via The Big Picture (Boston.com) • photo: BLUE : waves, by somebody_ , via Flickr • photo: PURPLE : flower close up, by cobalt123 via Flickr • photo: colour splash, via theinspirationgrid.com • photo: coloured plastic, via Frank Chimero on gimmebar.com • photo: “image the green is red” by David Shrigley, via “An explanation of colorblindness” by Jon Hicks • Life, magazine illustration by Coles Phillips, 1927 site references • An explanation of colour blindness, Jon Hicks • Geri Coady, website - hellogeri.com • colour bookmarklet - wearepandr.com/labs/colour_bookmark • Symbolicons - symbolicons.com • Adaptd - adaptd.com • Kaleidoscope App - kaleidoscopeapp.com • Gift Rocket - giftrocket.com • You Know Who Design, Sarah Parmenter - youknowwhodesign.com • duoh! - duoh.com • Veerle’s blog - veerle.duoh.com