CONFERENCE ROOM - MORNING The Professor finishes blowing the horn. Dialogue Notes Scene 151 Panel B Action Notes Dialogue PROFESSOR (YELLING) Roll call! Notes
he walks by, checking off names. We see the crew (except Amy) standing at attention, shoulder-to-shoulder. Dialogue PROFESSOR Four-eyes, Notes Scene 151 Panel D Action Notes Dialogue PROFESSOR Four-eyes, Notes
frazzled, kids in tow. Dialogue AMY I’m so, so sorry! Notes Scene 151 Panel R Action Notes Amy RUSHES IN, looking frazzled, kids in tow. Dialogue AMY I’m so, so sorry! Notes
frazzled, kids in tow. Dialogue AMY I’m so, so sorry! Notes Scene 151 Panel T Action Notes Amy RUSHES IN, looking frazzled, kids in tow. Dialogue AMY I’m so, so sorry! Notes
words “PETUNIA - NANNY” appear projected in front of her. Dialogue AMY (OS) Finally. Notes Scene 153 Panel B Action Notes Dialogue AMY (OS) Finally. Notes
seated in a golden washtub on wheels, hair wrapped in a towel turban. Dialogue ZAPP * (RE-RECORD) (BATH HUMMING) Notes Scene 161 Panel B Action Notes Dialogue ZAPP * (RE-RECORD) (BATH HUMMING) Notes
as he steps forward. Dialogue KIF If there’s nothing further, I’ll-- Notes Scene 162 Panel B Action Notes Dialogue KIF If there’s nothing further, I’ll-- Notes
he’s spreading candy on part of his hairy chest. Dialogue ZAPP They’re for manscaping. Notes Scene 163 Panel F Action Notes WIDEN to see he’s spreading candy on part of his hairy chest. Dialogue ZAPP They’re for manscaping. Notes
spreading candy on part of his hairy chest. Dialogue ZAPP They’re for manscaping. Notes Scene 163 Panel H Action Notes WIDEN to see he’s spreading candy on part of his hairy chest. Dialogue ZAPP They’re for manscaping. Notes
We see a tiny planetoid. On its surface is a cluster of buildings. Dialogue Notes FUT 802. SEQ 11. STEVE FONTI. *BG: Ext. Space Tiny Planetoid PG027 Scene 174 Panel B Action Notes PULL BACK TO: INT. NIMBUS - BRIDGE Kif is at his station, looking out at the planetoid. Dialogue KIF Approaching the Planetoid, sir. Notes
Zapp is directly behind Kif. Dialogue ZAPP It looks disgusting. Notes Scene 175 Panel F Action Notes *TRUCK OUT/MULITPLANE to REVEAL Zapp is directly behind Kif. Dialogue ZAPP It looks disgusting. Notes
HANGAR - A LITTLE LATER. *PAN with LEELA and the KIDS as they approach a huge “unloading treadmill” lined up with the ship’s cargo door. Dialogue Notes Scene 176 Panel B Action Notes Dialogue Notes
kids jump on excitedly and begin running Dialogue MANDY/NEWT/AXL THEN RUNNING) Notes Scene 177 Panel Z Action Notes The kids jump on excitedly and begin running Dialogue MANDY/NEWT/AXL THEN RUNNING) Notes
excitedly and begin running Dialogue MANDY/NEWT/AXL THEN RUNNING) Notes Scene 177 Panel AB Action Notes The kids jump on excitedly and begin running Dialogue MANDY/NEWT/AXL THEN RUNNING) Notes
Zapp and the Bear Biologist look on as Kif makes some ADJUSTMENTS to the antenna dish equipment. Dialogue Notes FUt 802. SEQ 14, STEVE FONTI. Scene 201 Panel B Action Notes Dialogue Notes
they smell human food, they go batcrackers! Notes Scene 205 Panel B Action Notes Dialogue BEAR BIOLOGIST If they smell human food, they go batcrackers! Notes
they smell human food, they go batcrackers! Notes Scene 205 Panel D Action Notes Dialogue BEAR BIOLOGIST If they smell human food, they go batcrackers! Notes
they recognize a fellow apex predator. Well... Notes Scene 207 Panel J Action Notes Dialogue ZAPP It seems they recognize a fellow apex predator. Well... Notes
they recognize a fellow apex predator. Well... Notes Scene 207 Panel L Action Notes Dialogue ZAPP It seems they recognize a fellow apex predator. Well... Notes
is dragged into the cave. Dialogue ZAPP (FADING SCREAM) Kif, heeeeeelp! Notes Scene 209 Panel B Action Notes Dialogue ZAPP (FADING SCREAM) Kif, heeeeeelp! Notes
The cave is lit by shafts of light coming through craggy openings in the ceiling, which is dotted with stalactites. Several bears SNIFF around looking fearsome. Dialogue Notes FUT 802. SEQ 20. STEVE FONTI. Scene 252 Panel B Action Notes Dialogue Notes
the bears are gone and the walls now have numerous “cave paintings” of bears in a variety of ferocious poses, plus a few in casual poses. Dialogue Notes Scene 258 Panel B Action Notes Dialogue Notes
LATER Zapp cowers on the floor, surrounded by bears. Dialogue ZAPP I refuse to die groveling. Notes FUT 802. SEQ 22. STEVE FONTI. Scene 269 Panel B Action Notes Dialogue ZAPP But I’m open to sniveling! Notes
ENTRANCE - SAME TIME As Zapp crawls furiously out of the cave, panting, we hear five quick, eerie, cave-muted FORCE GUN BLASTS. Dialogue ZAPP (PANTING, THEN, SCARED NOISE) Notes Scene 279 Panel B Action Notes Dialogue ZAPP (PANTING, THEN, SCARED NOISE) Notes