801_Clue.pdf

Transcript

1. Scene 1 Panel A Action Notes Smash cut to: INT. DRAWING ROOM - MOMENTS LATER Everyone but Joe and Priscilla have gathered around. Scene 1 Panel B Scene 1 Panel C
2. Scene 1 Panel D Scene 1 Panel E Dialogue 206 PETER All right, Action Notes Peter addresses them all. Scene 1 Panel F Dialogue my fault
3. Scene 1 Panel G Dialogue that Joe got knocked out, Scene 1 Panel H Dialogue Scene 1 Panel I Dialogue it is now
4. Scene 1 Panel J Dialogue my Scene 1 Panel K Dialogue responsibility Scene 1 Panel L Dialogue to take over the
5. Scene 1 Panel M Dialogue investigation. Scene 1 Panel N Dialogue 207 BRIAN I don't know Scene 1 Panel O Dialogue if that actually follows.
6. Scene 1 Panel P Dialogue 208 PETER Oh, it Scene 1 Panel Q Dialogue does follow, Brian. Scene 1 Panel R Dialogue Because I'm the one
7. Scene 1 Panel S Dialogue with the giant Scene 1 Panel T Dialogue magnifying glass. Action Notes He holds a huge magnifying glass up to his face Scene 1 Panel U
8. Scene 1 Panel V Action Notes and looks through it, right up to Brian's face. NO PANEL NO PANEL
9. Scene 3 Panel A Dialogue 209 PETER (CONT'D) Is Scene 3 Panel B Dialogue my eye Scene 3 Panel C Dialogue big?
10. Scene 4 Panel A Dialogue 210 BRIAN Yeah. NO PANEL NO PANEL
11. Scene 2_1 Panel A Scene 2_1 Panel B Dialogue 211 PETER Good. Good, Scene 2_1 Panel C Dialogue that means progress.
12. Scene 2_1 Panel D Scene 2_1 Panel E Dialogue 212 BRIAN Alright, Scene 2_1 Panel F Dialogue let's figure out
13. Scene 2_1 Panel G Dialogue what we know here. Scene 2_1 Panel H Dialogue The gun was clearly meant Scene 2_1 Panel I Dialogue to kill
14. Scene 2_1 Panel J Dialogue Jimmy Woods, Scene 2_1 Panel K Dialogue but Stephanie got in the way. Scene 2_1 Panel L Dialogue So the murderer
15. Scene 2_1 Panel M Dialogue had to improvise Scene 2_1 Panel N Dialogue and finish the job Scene 2_1 Panel O Dialogue by stabbing Jimmy Woods.
16. Scene 2_1 Panel P NO PANEL NO PANEL
17. Scene 1_1 Panel A Dialogue 213 PETER What, Scene 1_1 Panel B Dialogue what, Scene 1_1 Panel C Dialogue what is-
18. Scene 1_1 Panel D Dialogue what is that? Scene 1_1 Panel E Dialogue 214 BRIAN What? Scene 1_1 Panel F Dialogue 215 PETER Don't call him
19. Scene 1_1 Panel G Dialogue Jimmy Woods Scene 1_1 Panel H Dialogue like you're in the Scene 1_1 Panel I Dialogue Hollywood
20. Scene 1_1 Panel J Dialogue set. Scene 1_1 Panel K Dialogue 216 STEWIE Yeah,
21. Scene 1_1 Panel L Dialogue Brian did Scene 1_1 Panel M Dialogue one TV pilot Scene 1_1 Panel N Dialogue and thinks he can call the star of "Cape Fear"
22. Scene 1_1 Panel O Dialogue Bobby De Niro. NO PANEL NO PANEL
23. Scene 1_2 Panel A Dialogue Hey, who's the director, Brian? Scene 1_2 Panel B Dialogue 217 BRIAN Marty Scorsese. Scene 1_2 Panel C Dialogue 218 STEWIE Who's the star of "Silence of the Lambs?"
24. Scene 1_2 Panel D Dialogue 219 BRIAN Tony Hopkins. Scene 1_2 Panel E Dialogue 220 STEWIE Who sang "Hold Onto The Night?" Scene 1_2 Panel F Dialogue 221 BRIAN Dick Marx.
25. Scene 1_2 Panel G Dialogue 222 STEWIE Who was the cast of "Miami Vice?" Scene 1_2 Panel H Dialogue 223 BRIAN Donnie Johnny, Philly Mikey Tommy, and Eddie Jimmy Olmos. Scene 1_2 Panel I Dialogue 224 STEWIE Ugh,
26. Scene 1_2 Panel J Dialogue you- you are, you are just-- Scene 1_2 Panel K Dialogue douchey Scene 1_2 Panel L Dialogue to the core.
27. Scene 2_2 Panel A Dialogue 225 BRIAN Look, Scene 2_2 Panel B Dialogue whoever the killer is, Scene 2_2 Panel C Dialogue they had a reason for wanting James Woods
28. Scene 2_2 Panel D Dialogue dead. Scene 2_2 Panel E Dialogue Now who here Scene 2_2 Panel F Dialogue had a motive?
29. Scene 2_3 Panel A Dialogue 226 LOIS Well, Scene 2_3 Panel B Dialogue according to James Woods, Scene 2_3 Panel C Dialogue we all
30. Scene 2_3 Panel D Dialogue did. Scene 2_3 Panel E Dialogue He brought us here Scene 2_3 Panel F Dialogue to make amends with us.
31. Scene 2_3 Panel G Dialogue 227 MAYOR WEST But he wronged Scene 2_3 Panel H Dialogue one of us enough Scene 2_3 Panel I Dialogue to want
32. Scene 2_3 Panel J Dialogue revenge. Scene 2_3 Panel K Dialogue The question is, Scene 2_3 Panel L Dialogue who?
33. Scene 2_4 Panel A Dialogue 228 DIANE Well, Scene 2_4 Panel B Dialogue I know one person Scene 2_4 Panel C Dialogue who could have.
34. Scene 2_4 Panel D Scene 2_4 Panel E Dialogue My partner Scene 2_4 Panel F Dialogue Tom.
35. Scene 2_4 Panel G Scene 2_4 Panel H Dialogue 228(a) EVERYONE Gasp!!! Action Notes They all gasp. NO PANEL
36. Scene 2_5 Panel A Scene 2_5 Panel B Scene 2_5 Panel C
37. Scene 2_5 Panel D Scene 2_5 Panel E Dialogue 229 TOM TUCKER Alright, Scene 2_5 Panel F Dialogue it's true.
38. Scene 2_5 Panel G Dialogue James Woods Scene 2_5 Panel H Dialogue ruined my career! NO PANEL
39. Scene 2_6 Panel A Scene 2_6 Panel B Dialogue I originally wanted to be Scene 2_6 Panel C Dialogue an actor.
40. Scene 2_6 Panel D Dialogue And I Scene 2_6 Panel E Dialogue booked the Scene 2_6 Panel F Dialogue lead role in
41. Scene 2_6 Panel G Dialogue "Nightmare On Elm Street." Scene 2_6 Panel H Dialogue But James Woods Scene 2_6 Panel I Dialogue said,
42. Scene 2_6 Panel J Dialogue "Don't Scene 2_6 Panel K Dialogue bother, Scene 2_6 Panel L Dialogue something else
43. Scene 2_6 Panel M Dialogue will come along." Scene 2_6 Panel N Dialogue Well I turned it down. Scene 2_6 Panel O Dialogue And now this
44. Scene 2_6 Panel P Dialogue Robert Scene 2_6 Panel Q Dialogue Englund Scene 2_6 Panel R Dialogue is the talk of the town.
45. Scene 2_6 Panel S Dialogue That should Scene 2_6 Panel T Dialogue be me everyone's Scene 2_6 Panel U Dialogue talking about! Action Notes dissolve to:
46. Scene 2_7 Panel A Dialogue 230 TEENAGER Oh my god, you guys! Action Notes INT. BOILER ROOM - NIGHT (FLASHBACK) THREE TEENAGERS wander through an eerily-lit, skewed boiler room. Scene 2_7 Panel B Dialogue We must've fallen asleep!
47. Scene 2_7 Panel C Dialogue We're in the dream right now! Scene 2_7 Panel D Dialogue 231 TOM TUCKER That's right Action Notes Tom Tucker enters, dressed as Freddie Krueger.
48. Scene 2_7 Panel E Dialogue you are in a dream, children, Scene 2_7 Panel F Dialogue which means Scene 2_7 Panel G Dialogue you are going to get something of a serious scratching by me.
49. Scene 2_7 Panel H Scene 2_7 Panel I Dialogue (HOLDING UP HAND) Freddie Kroyger. Scene 2_7 Panel J Dialogue Ha ha--
50. Scene 2_7 Panel K Scene 2_7 Panel L Dialogue (TO CAMEaRA) Is it ... is it Scene 2_7 Panel M Dialogue Kroyger?
51. Scene 2_8 Panel A Action Notes INT. DRAWING ROOM - NIGHT (BACK TO PRESENT) Scene 2_8 Panel B Dialogue 232 TOM TUCKER Was I Scene 2_8 Panel C Dialogue angry?
52. Scene 2_8 Panel D Dialogue Yes, Action Notes Scene 2_8 Panel E Dialogue of course! Scene 2_8 Panel F Dialogue But I didn't
53. Scene 2_8 Panel G Dialogue kill him! Scene 2_8 Panel H Scene 2_8 Panel I
54. Scene 2_8 Panel J Dialogue What about Scene 2_8 Panel K Scene 2_8 Panel L Dialogue Seamus?
55. Scene 2_8 Panel M Scene 2_8 Panel N Dialogue You Scene 2_8 Panel O Dialogue You
56. Scene 2_8 Panel P Dialogue hated Scene 2_8 Panel Q Dialogue James Woods! Scene 2_8 Panel R Dialogue You told me so!
57. Scene 2_31 Panel A Scene 2_31 Panel B Dialogue 233 SEAMUS Aye. He's the one who made me Scene 2_31 Panel C Dialogue what I am today!
58. Scene 2_9 Panel A Dialogue 234 JAMES WOODS (WISTFUL) I wish you were a real, live ornery sea captain. Action Notes dissolve to: INT. WORKSHOP - NIGHT (FLASHBACK) James Woods sits with a wood-carved puppet version of Seamus. NO PANEL NO PANEL
59. Scene 2_10 Panel A Dialogue 235 SEAMUS But he didn't wish Scene 2_10 Panel B Dialogue hard enough! Scene 2_10 Panel C Dialogue It only worked on me head!
60. Scene 2_10 Panel D Dialogue 236 PETER Oh my god, Scene 2_10 Panel E Dialogue seriously? Scene 2_10 Panel F Dialogue 237 SEAMUS Nah, actually
61. Scene 2_10 Panel G Dialogue I was a normal guy until one night we dropped acid together Scene 2_10 Panel H Dialogue and he thought I was a steak. Scene 2_10 Panel I Dialogue Grilled me, ate me arms
62. Scene 2_10 Panel J Dialogue and legs, Scene 2_10 Panel K Dialogue it was a whole thing. Scene 2_10 Panel L Dialogue But I'm not the killer!
63. Scene 2_10 Panel M Dialogue (POINTS TO MAYOR WEST) What about the mayor? Scene 2_10 Panel N Dialogue He coulda killed him
64. Scene 2_10 Panel O Dialogue and got himself off Scene 2_10 Panel P Dialogue scot-free! Scene 2_10 Panel Q Dialogue
65. Scene 2_30 Panel A Dialogue 238 MAYOR WEST (SIGH) Scene 2_30 Panel B Dialogue He took the screen name Scene 2_30 Panel C Dialogue "Mayor West,"
66. Scene 2_30 Panel D Dialogue so now I have to use Scene 2_30 Panel E Dialogue the screen name Scene 2_30 Panel F
67. Scene 2_30 Panel G Dialogue "Mayor Scene 2_30 Panel H Dialogue underscore Scene 2_30 Panel I Dialogue West."
68. Scene 2_30 Panel J Dialogue (THEN) But Scene 2_30 Panel K Dialogue you hated NO PANEL
69. Scene 2_30 Panel L Dialogue him too, Scene 2_30 Panel M Dialogue Dr. Hartman.
70. Scene 2_30 Panel N Dialogue 239 DR. HARTMAN He switched around Scene 2_30 Panel O Dialogue all the bones on the skeleton in my office. Scene 2_30 Panel P Dialogue I don't know
71. Scene 2_30 Panel Q Dialogue what's what Scene 2_30 Panel R Dialogue anymore. Scene 2_30 Panel S Dialogue I don't know
72. Scene 2_12 Panel A Dialogue 240 DR. HARTMAN Let's take a look at that wrist injury. Action Notes INT. DR. HARTMAN'S OFFICE - DAY (FLASHBACK) Dr. Hartman examines a WOMAN patient. Scene 2_12 Panel B Dialogue 241 WOMAN That's my foot, not my hand. Action Notes Dr. Hartman picks up the woman's foot. NO PANEL
73. Scene 2_12 Panel C Action Notes Dr. Hartman turns to look at the skeleton, which has feet for hands. Scene 2_12 Panel D Dialogue 242 DR. HARTMAN (SHAKING FIST INTO THE AIR) Woods!
74. Scene 2_12 Panel E Scene 2_12 Panel F NO PANEL
75. Scene 2_13 Panel A Action Notes INT. DRAWING ROOM - NIGHT (BACK TO PRESENT) Scene 2_13 Panel B Scene 2_13 Panel C Dialogue 243 DR. HARTMAN Sure,
76. Scene 2_13 Panel D Dialogue I hated him. Scene 2_13 Panel E Scene 2_13 Panel F Dialogue
77. Scene 2_13 Panel G Dialogue But so did Scene 2_13 Panel H Dialogue Mort! Scene 2_13 Panel I Dialogue
78. Scene 2_13 Panel J Dialogue NO PANEL NO PANEL
79. Scene 2_14 Panel A Dialogue 244 MORT He's terrible! Scene 2_14 Panel B Dialogue He took a Penthouse into the pharmacy bathroom, Scene 2_14 Panel C Dialogue then left his work in the sink.
80. Scene 2_14 Panel D Dialogue But I didn't kill him! Scene 2_14 Panel E Dialogue (THEN) Maybe it NO PANEL
81. Scene 2_14 Panel F Dialogue was Scene 2_14 Panel G Dialogue Diane.
82. Scene 2_14 Panel H Dialogue Scene 2_14 Panel I Dialogue Scene 2_14 Panel J Dialogue 245 DIANE (sighs)
83. Scene 2_14 Panel K Dialogue James Scene 2_14 Panel L Dialogue Woods Scene 2_14 Panel M Dialogue promised to
84. Scene 2_14 Panel N Dialogue introduce me Scene 2_14 Panel O Dialogue to Dan Rather.
85. Scene 2_14 Panel P Dialogue But instead Scene 2_14 Panel Q Dialogue he introduced me Scene 2_14 Panel R Dialogue to Danny Bonaduce.
86. Scene 2_14 Panel S Dialogue I tell ya, Scene 2_14 Panel T Dialogue that guy looks like a dog turning Scene 2_14 Panel U Dialogue thirty.
87. Scene 2_14 Panel V Dialogue (THEN, RE: HERBERT) But what Scene 2_14 Panel W Dialogue the old guy? Scene 2_14 Panel X
88. Scene 2_14 Panel Y Dialogue I heard him complaining about Woods Scene 2_14 Panel Z Dialogue in the dining room. Scene 2_14 Panel AA Dialogue 246 HERBERT That's true.
89. Scene 2_14 Panel AB Dialogue He replaced my Cialis Scene 2_14 Panel AC Dialogue with methamphetamines! NO PANEL
90. Scene 2_15 Panel A Action Notes EXT. STREET - DAY (FLASHBACK) Two BOYS ride their bicycles as fast as they can. Scene 2_15 Panel B Scene 2_15 Panel C Dialogue 247 BOY #1 Pedal faster.
91. Scene 2_15 Panel D Scene 2_15 Panel E Dialogue 248 BOY #2 I can't go Scene 2_15 Panel F Dialogue any faster.
92. Scene 2_15 Panel G Dialogue 249 HERBERT (SUPER FAST) Where you goin', Action Notes WIDEN TO REVEAL Herbert with his walker, moving incredibly fast behind them. Scene 2_15 Panel H Dialogue kids?
93. Scene 2_15 Panel I Dialogue I just wanna Scene 2_15 Panel J Dialogue talk to ya. Scene 2_15 Panel K Dialogue Why don't you
94. Scene 2_15 Panel L Dialogue come over to Scene 2_15 Panel M Dialogue my place for a Scene 2_15 Panel N Dialogue glass of wine and a
95. Scene 2_15 Panel O Dialogue couple'a fruit pies Scene 2_15 Panel P Dialogue and then we can go Scene 2_15 Panel Q Dialogue in the back room and play
96. Scene 2_15 Panel R Dialogue crazy snakes - Scene 2_15 Panel S Dialogue hee- Scene 2_15 Panel T Dialogue -hee-
97. Scene 2_15 Panel U Dialogue -hee- Scene 2_15 Panel V Dialogue -hee. NO PANEL
98. Scene 2_16 Panel A Dialogue 250 PETER Hey, wait a minute, Action Notes INT. DRAWING ROOM - NIGHT (BACK TO PRESENT) Scene 2_16 Panel B Dialogue what about those two European guys? Scene 2_16 Panel C Dialogue They really hated James Woods.
99. Scene 2_16 Panel D Dialogue Scene 2_16 Panel E Dialogue Scene 2_16 Panel F Dialogue
100. Scene 2_16 Panel G Dialogue Oh wait, Scene 2_16 Panel H Dialogue where the hell are they? NO PANEL
101. Scene 2_17 Panel A Action Notes INT. APARTMENT - NIGHT (CUTAWAY) One of the FOREIGN GUYS sits on the couch. Scene 2_17 Panel B Action Notes The other FOREIGN GUY enters, Scene 2_17 Panel C Dialogue 251 FOREIGN GUY #1 We've been invited Action Notes holding the mail.
102. Scene 2_17 Panel D Dialogue to party in our honors. Scene 2_17 Panel E Dialogue But it was for this week Scene 2_17 Panel F Dialogue afters.
103. Scene 2_17 Panel G Dialogue 252 FOREIGN GUY #2 Well, why aren't we there? Scene 2_17 Panel H Dialogue 253 FOREIGN GUY #1 (DISAPPOINTED) It was wedged in our post pail. Scene 2_17 Panel I Dialogue 254 FOREIGN GUY #2 Anh.
104. Scene 2_17 Panel J Dialogue 255 FOREIGN GUY #1 Anh. Scene 2_17 Panel K Dialogue 256 FOREIGN GUY #2 Anh. 257 FOREIGN GUY #1 Anh. NO PANEL
105. Scene 2_18 Panel A Dialogue 258 PETER And what Action Notes INT. DRAWING ROOM - NIGHT (BACK TO SCENE) Scene 2_18 Panel B Dialogue about Scene 2_18 Panel C Dialogue (POINTING TO QUAGMIRE) Quagmire?
106. Scene 2_18 Panel D Dialogue Scene 2_18 Panel E Dialogue
107. Scene 2_18 Panel F Dialogue Scene 2_18 Panel G Dialogue 259 QUAGMIRE Fine! Scene 2_18 Panel H Dialogue So he stole
108. Scene 2_18 Panel I Dialogue Cheryl Tiegs from me! Scene 2_18 Panel J NO PANEL
109. Scene 2_18 Panel K Dialogue (POINTS AT BRIAN) He ruined Scene 2_18 Panel L Dialogue your TV pilot!
110. Scene 2_18 Panel M Dialogue 260 BRIAN Go to Scene 2_18 Panel N Dialogue hell, Scene 2_18 Panel O Dialogue I backed out of that project willingly!
111. Scene 2_18 Panel P Dialogue 261 QUAGMIRE Oh, yeah, Scene 2_18 Panel Q Dialogue that's what every Scene 2_18 Panel R Dialogue hack says--
112. Scene 2_18 Panel S Dialogue --ya know , Brian... Scene 2_18 Panel T Dialogue (not in script, only record-- between 261 & 261 a) Brian I am Scene 2_18 Panel U Dialogue telling you--
113. Scene 2_18 Panel V Dialogue 261a EVERYONE (yelling-) Action Notes Everyone starts yelling at everyone else, getting in each other's faces. Scene 2_18 Panel W Dialogue (...yelling cont...) Action Notes Scene 2_18 Panel X Dialogue (...yelling cont...)
114. Scene 2_18 Panel Y Dialogue (...yelling cont...) Scene 2_18 Panel Z Dialogue (...yelling cont...) Scene 2_18 Panel AA Dialogue (...yelling cont...)
115. Scene 2_18 Panel AB Dialogue (...yelling cont...) Slugging NO PANEL NO PANEL
116. Scene 2_33 Panel A Dialogue (...yelling cont...) Scene 2_33 Panel B Dialogue (...yelling cont...) Slugging Scene 2_33 Panel C Dialogue (...yelling cont...)
117. Scene 2_33 Panel D Dialogue (...yelling cont...) Scene 2_33 Panel E Dialogue (...yelling cont...) Scene 2_33 Panel F Dialogue (...yelling cont...)
118. Scene 2_33 Panel G Dialogue (...yelling cont...) Scene 2_33 Panel H Dialogue (...yelling cont...) Scene 2_33 Panel I Dialogue (...yelling cont...)
119. Scene 2_33 Panel J Dialogue (...yelling cont...) Scene 2_33 Panel K Dialogue (...yelling cont...) Scene 2_33 Panel L Dialogue (...yelling cont...)
120. Scene 2_33 Panel M Dialogue (...yelling cont...) Scene 2_33 Panel N Dialogue (...yelling cont...) Scene 2_33 Panel O Dialogue (...yelling cont...)
121. Scene 2_33 Panel P Dialogue (...yelling cont...) Scene 2_33 Panel Q Dialogue (...yelling cont...) Scene 2_33 Panel R Dialogue (...yelling cont...)
122. Scene 2_33 Panel S Dialogue (...yelling cont...) Scene 2_33 Panel T Dialogue (...yelling cont...) Scene 2_33 Panel U Dialogue (...yelling cont...)
123. Scene 2_33 Panel V Dialogue (...yelling cont...) Scene 2_33 Panel W Dialogue (...yelling cont...)
124. Scene 2_33 Panel X Dialogue (...yelling cont...) Scene 2_33 Panel Y Dialogue (...yelling cont...) Scene 2_33 Panel Z Dialogue (...yelling cont...)
125. Scene 2_33 Panel AA Dialogue (...yelling cont...) NO PANEL NO PANEL
126. Scene 2_36 Panel A Dialogue (...yelling cont...) Scene 2_36 Panel B Dialogue (...yelling cont...) Scene 2_36 Panel C Dialogue (...yelling cont...)
127. Scene 2_36 Panel D Dialogue (...yelling cont...) Scene 2_36 Panel E Dialogue (...yelling cont...) NO PANEL
128. Scene 2_37 Panel A Dialogue (...yelling cont...) Scene 2_37 Panel B Dialogue (...yelling cont...) Scene 2_37 Panel C Dialogue (...yelling cont...)
129. Scene 2_37 Panel D Dialogue (...yelling cont...) Scene 2_37 Panel E Dialogue (...yelling cont...) NO PANEL
130. Scene 2_19 Panel A Dialogue (...yelling cont...) Scene 2_19 Panel B Dialogue (...yelling cont...) Scene 2_19 Panel C Dialogue (...yelling cont...)
131. Scene 2_19 Panel D Dialogue (...yelling cont...) NO PANEL NO PANEL
132. Scene 2_21 Panel A Dialogue (...yelling cont...) Scene 2_21 Panel B Dialogue (...yelling cont...) Scene 2_21 Panel C Dialogue (...yelling cont...)
133. Scene 2_21 Panel D Dialogue (...yelling cont...) Scene 2_21 Panel E Dialogue (...yelling cont...) Scene 2_21 Panel F Dialogue (...yelling cont...) Action Notes Quagmire shoves Brian.
134. Scene 2_21 Panel G Dialogue (...yelling cont...) Scene 2_21 Panel H Dialogue (...yelling cont...) Scene 2_21 Panel I Dialogue (...yelling cont...)
135. Scene 2_21 Panel J Dialogue (...yelling cont...) Scene 2_21 Panel K Dialogue (...yelling cont...) Action Notes Peter shoves Quagmire. Scene 2_21 Panel L Dialogue (...yelling cont...)
136. Scene 2_21 Panel M Dialogue (...yelling cont...) Scene 2_21 Panel N Dialogue (...yelling cont...) NO PANEL
137. Scene 2_34 Panel A Dialogue (...yelling cont...) Action Notes Other people start scuffling as well, Scene 2_34 Panel B Dialogue (...yelling cont...) Scene 2_34 Panel C Dialogue (...yelling cont...)
138. Scene 2_34 Panel D Dialogue (...yelling cont...) Scene 2_34 Panel E Dialogue (...yelling cont...) Scene 2_34 Panel F Dialogue (...yelling cont...)
139. Scene 2_34 Panel G Dialogue (...yelling cont...) Scene 2_34 Panel H Dialogue (...yelling cont...) Scene 2_34 Panel I Dialogue (...yelling cont...)
140. Scene 2_34 Panel J Dialogue (...yelling cont...) Scene 2_34 Panel K Dialogue (...yelling cont...) Scene 2_34 Panel L Dialogue (...yelling cont...)
141. Scene 2_34 Panel M Dialogue (...yelling cont...) NO PANEL NO PANEL
142. Scene 2_35 Panel A Dialogue (...yelling cont...) Scene 2_35 Panel B Dialogue (...yelling cont...) Scene 2_35 Panel C Dialogue (...yelling cont...)
143. Scene 2_35 Panel D Dialogue (...yelling cont...) Scene 2_35 Panel E Dialogue (...yelling cont...) Scene 2_35 Panel F Dialogue (...yelling cont...)
144. Scene 2_35 Panel G Dialogue (...yelling cont...) Scene 2_35 Panel H Dialogue (...yelling cont...) Scene 2_35 Panel I Dialogue (...yelling cont...)
145. Scene 2_35 Panel J Dialogue (...yelling cont...) Scene 2_35 Panel K Dialogue (...yelling cont...) Scene 2_35 Panel L Dialogue (...yelling cont...)
146. Scene 2_20 Panel A Dialogue (...yelling cont...) Scene 2_20 Panel B Dialogue (...yelling cont...) Scene 2_20 Panel C Dialogue (...yelling cont...)
147. Scene 2_20 Panel D Dialogue (...yelling cont...) Scene 2_20 Panel E Dialogue (...yelling cont...)
148. Scene 2_20 Panel F Dialogue (...yelling cont...) Scene 2_20 Panel G Dialogue (...yelling cont...) Scene 2_20 Panel H Dialogue (...yelling cont...)
149. Scene 2_20 Panel I Dialogue (...yelling cont...) Scene 2_20 Panel J Dialogue (...yelling cont...) Scene 2_20 Panel K Dialogue (...yelling cont...)
150. Scene 2_20 Panel L Dialogue (...yelling cont...) Scene 2_20 Panel M Dialogue (...yelling cont...) Scene 2_20 Panel N Dialogue (...yelling cont...)
151. Scene 2_20 Panel O Dialogue (...yelling cont...) Scene 2_20 Panel P Dialogue (...yelling cont...) NO PANEL
152. Scene 2_22 Panel A Dialogue (...yelling cont...) Scene 2_22 Panel B Dialogue (...yelling cont...) Scene 2_22 Panel C Dialogue (...yelling cont...)
153. Scene 2_22 Panel D Dialogue (...yelling cont...) Action Notes (not script: Brian bites Quagmire in leg) Scene 2_22 Panel E Dialogue (...yelling cont...) Scene 2_22 Panel F Dialogue (...yelling cont...)
154. Scene 2_22 Panel G Dialogue (...yelling cont...) Scene 2_22 Panel H Dialogue (...yelling cont...) Scene 2_22 Panel I Dialogue (...yelling cont...)
155. Scene 2_22 Panel J Dialogue (...yelling cont...) Scene 2_22 Panel K Dialogue (...yelling cont...) Scene 2_22 Panel L Dialogue (...yelling cont...)
156. Scene 2_22 Panel M Dialogue (...yelling cont...) Scene 2_22 Panel N Dialogue (...yelling cont...) NO PANEL
157. Scene 2_23 Panel A Dialogue (...yelling cont...) Scene 2_23 Panel B Dialogue (...yelling cont...) Scene 2_23 Panel C Dialogue (...yelling cont...)
158. Scene 2_23 Panel D Dialogue (...yelling cont...) Scene 2_23 Panel E Dialogue (...yelling cont...) Scene 2_23 Panel F Dialogue (...yelling cont...)
159. Scene 2_23 Panel G Dialogue (...yelling cont...) Scene 2_23 Panel H Dialogue (...yelling cont...)
160. Scene 2_23 Panel I Dialogue (...yelling cont...) Scene 2_23 Panel J Dialogue (...yelling cont...) NO PANEL
161. Scene 2_23 Panel K Dialogue (...yelling cont...) NO PANEL
162. Scene 2_23 Panel L Dialogue (...yelling cont...) Scene 2_23 Panel M Dialogue (...yelling cont...) Action Notes until finally somebody gets slammed against one of the bookshelves built into the wall. Some books fall off the shelf...
163. Scene 2_23 Panel N Dialogue (...yelling cont...) Scene 2_23 Panel O Dialogue (...yelling cont...) Scene 2_23 Panel P Dialogue (...yelling cont...)
164. Scene 2_23 Panel Q Dialogue (...yelling cont...) NO PANEL
165. Scene 2_23 Panel R Dialogue (...yelling cont...) Scene 2_23 Panel S Dialogue (...yelling cont...)
166. Scene 2_23 Panel T Dialogue (...yelling cont...) Scene 2_23 Panel U Dialogue (...yelling cont...) Scene 2_23 Panel V Dialogue (...yelling cont...)
167. Scene 2_23 Panel W Dialogue (...yelling cont...) Scene 2_23 Panel X Dialogue (...yelling cont...)
168. Scene 2_23 Panel Y Dialogue (...yelling cont...) Action Notes and suddenly, Scene 2_23 Panel Z Dialogue (...yelling cont...) Action Notes the shelf slides to the side, Scene 2_23 Panel AA Dialogue (...yelling cont...)
169. Scene 2_24 Panel A Dialogue (...yelling cont...) Action Notes revealing a secret room. Scene 2_24 Panel B Dialogue (...yelling STOPS.) Scene 2_24 Panel C
170. Scene 2_24_A Panel A Scene 2_24_A Panel B Scene 2_24_A Panel C
171. Scene 2_24_A Panel D Dialogue 261b EVERYONE (Gasps) Action Notes Everyone gasps. Scene 2_24_A Panel E Dialogue 262 STEWIE Eh. My secret room's bigger. 263 HERBERT Mine's smaller. Scene 2_24_A Panel F
172. Scene 2_24_A Panel G Scene 2_24_A Panel H Scene 2_24_A Panel I
173. Scene 2_24_A Panel J Scene 2_24_A Panel K Scene 2_24_A Panel L
174. Scene 2_24_A Panel M NO PANEL NO PANEL
175. Scene 2_27 Panel A Scene 2_27 Panel B Dialogue 264 PETER All right, stand back. This could be dangerous. Scene 2_27 Panel C
176. Scene 2_27 Panel D Scene 2_27 Panel E Scene 2_27 Panel F
177. Scene 2_27 Panel G Action Notes Peter goes into the secret room. Scene 2_27 Panel H Dialogue 265 PETER (O.S.) (CONT'D) Ohp, laundry room. (CALLING BACK) Laundry room, everybody. NO PANEL
178. Scene 2_25 Panel A Scene 2_25 Panel B Scene 2_25 Panel C Action Notes Peter comes back out,
179. Scene 2_25 Panel D Scene 2_25 Panel E Scene 2_25 Panel F
180. Scene 2_25 Panel G Action Notes looks around for a beat, Scene 2_25 Panel H Scene 2_25 Panel I
181. Scene 2_25 Panel J NO PANEL
182. Scene 2_25 Panel K NO PANEL
183. Scene 2_25 Panel L Scene 2_25 Panel M
184. Scene 2_25 Panel N Scene 2_25 Panel O Action Notes and turns the head on a statue of Shakespeare on another bookshelf. Scene 2_25 Panel P
185. Scene 2_25 Panel Q Scene 2_25 Panel R Action Notes It spins halfway around,
186. Scene 2_25 Panel S Dialogue 266 PETER (CONT'D) Oh, see, Scene 2_25 Panel T Dialogue here we Scene 2_25 Panel U Dialogue go.
187. Scene 2_25 Panel V Action Notes Scene 2_25 Panel W Action Notes Scene 2_25 Panel X Action Notes
188. Scene 2_26 Panel A Action Notes revealing a narrow, winding staircase going down. NO PANEL NO PANEL
189. Scene 2_29 Panel A Scene 2_29 Panel B Scene 2_29 Panel C
190. Scene 2_29 Panel D Scene 2_29 Panel E Scene 2_29 Panel F Action Notes Everyone walks down the staircase into:
191. Scene 2_29 Panel G Scene 2_29 Panel H Scene 2_29 Panel I