Archer Season 11 Episode 6

Storyboards for Archer Season 11 Episode 6

Transcript

1. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
2. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
3. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
4. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
5. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
6. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
7. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
8. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
9. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
10. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
11. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
12. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
13. Action Notes INT. ARCHER?S CAR - NIGHT The gang is as we left them.
14. Dialog MALORY (re: traffic) This is what happens when you give bicyclists their own lane. What?s next? A lane for vegetarians?
15. Dialog MALORY (re: traffic) This is what happens when you give bicyclists their own lane. What?s next? A lane for vegetarians?
16. Dialog MALORY (re: traffic) This is what happens when you give bicyclists their own lane. What?s next? A lane for vegetarians?
17. Dialog ARCHER Sorry, Gabrielle. It?s usually a little chasier than this.
18. Dialog GABRIELLE Oh, don?t apologize, this is a great opportunity for us all to get to know each other better!
19. Dialog GABRIELLE Oh, don?t apologize, this is a great opportunity for us all to get to know each other better!
20. Dialog ARCHER For sure. Like um, ok this question is for anyone: what?s the best date you?ve set up over the body of your child?s father.
21. Dialog ARCHER For sure. Like um, ok this question is for anyone: what?s the best date you?ve set up over the body of your child?s father.
22. Dialog ARCHER For sure. Like um, ok this question is for anyone: what?s the best date you?ve set up over the body of your child?s father.
23. Dialog LANA Oh, my God. This again?!
24. Dialog ARCHER This again, what?
25. Dialog ARCHER This again, what?
26. Dialog LANA Okay. You got shot by a murder suspect you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
27. Dialog LANA Okay. You got shot by a murder suspect you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
28. Dialog LANA Okay. You got shot by a murder suspect you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
29. Dialog LANA Okay. You got shot by a murder suspect you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
30. Dialog LANA Okay. You got shot by a murder suspect you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
31. Dialog LANA Okay. You got shot by a murder suspect you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
32. Dialog LANA Okay. You got shot by a murder suspect you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
33. Dialog LANA Okay. You got shot by a murder suspect you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
34. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.
35. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.
36. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.
37. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.
38. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.
39. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.
40. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.
41. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.
42. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.
43. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.
44. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.
45. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.
46. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.
47. Dialog ROBERT Hey, look what we?ve got going on back here, the three of us. I feel like the cream inside of an Ore--
48. Dialog ROBERT Hey, look what we?ve got going on back here, the three of us. I feel like the cream inside of an Ore--
49. Dialog ROBERT Hey, look what we?ve got going on back here, the three of us. I feel like the cream inside of an Ore--
50. Dialog LANA Shut the fuck up, Robert.
51. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME - NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
52. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME - NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
53. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME - NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
54. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME - NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
55. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME - NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
56. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME - NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
57. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME - NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
58. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME - NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
59. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME - NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
60. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME - NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
61. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME - NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
62. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME - NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
63. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME - NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
64. Dialog CYRIL [cries, eats, slurps marrow]
65. Action Notes Just then, Kyle approaches the table.
66. Action Notes Just then, Kyle approaches the table.
67. Dialog CYRIL (CONT'D) Hey, Kyle. Would you mind parking the dessert cart over here? And you might want to throw the emergency brake on, I have a feeling things could go sideways pretty fast.
68. Dialog CYRIL (CONT'D) Hey, Kyle. Would you mind parking the dessert cart over here? And you might want to throw the emergency brake on, I have a feeling things could go sideways pretty fast.
69. Dialog CYRIL (CONT'D) Hey, Kyle. Would you mind parking the dessert cart over here? And you might want to throw the emergency brake on, I have a feeling things could go sideways pretty fast.
70. Dialog CYRIL (CONT'D) Hey, Kyle. Would you mind parking the dessert cart over here? And you might want to throw the emergency brake on, I have a feeling things could go sideways pretty fast.
71. Dialog KYLE Actually, sir, some diners have been complaining that your constant crying and chewing is bumming them out. If you wouldn?t mind...
72. Dialog KYLE Actually, sir, some diners have been complaining that your constant crying and chewing is bumming them out. If you wouldn?t mind...
73. Dialog KYLE Actually, sir, some diners have been complaining that your constant crying and chewing is bumming them out. If you wouldn?t mind...
74. Dialog KYLE Actually, sir, some diners have been complaining that your constant crying and chewing is bumming them out. If you wouldn?t mind...
75. Dialog KYLE Actually, sir, some diners have been complaining that your constant crying and chewing is bumming them out. If you wouldn?t mind...
76. Dialog CYRIL They didn?t leave a credit card?
77. Action Notes Cyril opens the check-jacket and his eyes go wide.
78. Action Notes Cyril opens the check-jacket and his eyes go wide.
79. Action Notes Cyril opens the check-jacket and his eyes go wide.
80. Dialog CYRIL (CONT?D) Jesus! I had a serving of bone marrow, not bone marrow transplant.
81. Dialog CYRIL (CONT?D) Jesus! I had a serving of bone marrow, not bone marrow transplant.
82. Dialog CYRIL (CONT?D) Jesus! I had a serving of bone marrow, not bone marrow transplant.
83. Action Notes Cyril shakes his head.
84. Action Notes Cyril shakes his head.
85. Action Notes Cyril shakes his head.
86. Action Notes Cyril shakes his head.
87. Dialog CYRIL (CONT?D) Alright, I--
88. Dialog CYRIL (CONT?D) Alright, I--
89. Dialog CYRIL (CONT?D) Alright, I--
90. Action Notes He pats his pockets. Then his shirt pockets. Then reaches behind him on the chair for his jacket.
91. Action Notes He pats his pockets. Then his shirt pockets. Then reaches behind him on the chair for his jacket.
92. Action Notes He pats his pockets. Then his shirt pockets. Then reaches behind him on the chair for his jacket.
93. Action Notes He pats his pockets. Then his shirt pockets. Then reaches behind him on the chair for his jacket.
94. Action Notes He pats his pockets. Then his shirt pockets. Then reaches behind him on the chair for his jacket.
95. Action Notes He pats his pockets. Then his shirt pockets. Then reaches behind him on the chair for his jacket.
96. Action Notes He pats his pockets. Then his shirt pockets. Then reaches behind him on the chair for his jacket.
97. Action Notes He pats his pockets. Then his shirt pockets. Then reaches behind him on the chair for his jacket.
98. Dialog CYRIL (CONT?D) Hey! My jacket?s gone! (to Kyle) Listen, my wallet was in my jacket and it appears my friends must?ve grabbed it. So I?m going to have--
99. Dialog CYRIL (CONT?D) Hey! My jacket?s gone! (to Kyle) Listen, my wallet was in my jacket and it appears my friends must?ve grabbed it. So I?m going to have--
100. Dialog CYRIL (CONT?D) Hey! My jacket?s gone! (to Kyle) Listen, my wallet was in my jacket and it appears my friends must?ve grabbed it. So I?m going to have--
101. Action Notes Kyle has run out of patience with this table. Other WAIT STAFFERS have gathered nearby, looking menacing.
102. Action Notes Kyle has run out of patience with this table. Other WAIT STAFFERS have gathered nearby, looking menacing.
103. Action Notes Kyle has run out of patience with this table. Other WAIT STAFFERS have gathered nearby, looking menacing.
104. Action Notes Kyle has run out of patience with this table. Other WAIT STAFFERS have gathered nearby, looking menacing.
105. Action Notes Kyle has run out of patience with this table. Other WAIT STAFFERS have gathered nearby, looking menacing.
106. Dialog CYRIL (CONT?D) --to have someone come down and meet me here with a credit card.
107. Dialog CYRIL (CONT?D) --to have someone come down and meet me here with a credit card.
108. Dialog CYRIL (CONT?D) --to have someone come down and meet me here with a credit card.
109. Dialog CYRIL (CONT?D) --to have someone come down and meet me here with a credit card.
110. Dialog CYRIL (CONT?D) --to have someone come down and meet me here with a credit card.
111. Dialog CYRIL (CONT?D) --to have someone come down and meet me here with a credit card.
112. Dialog CYRIL (CONT?D) --to have someone come down and meet me here with a credit card.
113. Dialog KYLE There you go.
114. Dialog KYLE There you go.
115. Action Notes Kyle and the staff disperse. One BUSBOY stays nearby to watch Cyril. He chews on a toothpick, looking threatening.
116. Dialog Action Notes Kyle and the staff disperse. One BUSBOY stays nearby to watch Cyril. He chews on a toothpick, looking threatening.
117. Action Notes Kyle and the staff disperse. One BUSBOY stays nearby to watch Cyril. He chews on a toothpick, looking threatening.
118. Action Notes Kyle and the staff disperse. One BUSBOY stays nearby to watch Cyril. He chews on a toothpick, looking threatening.
119. Action Notes Kyle and the staff disperse. One BUSBOY stays nearby to watch Cyril. He chews on a toothpick, looking threatening.
120. Action Notes Kyle and the staff disperse. One BUSBOY stays nearby to watch Cyril. He chews on a toothpick, looking threatening.
121. Action Notes Kyle and the staff disperse. One BUSBOY stays nearby to watch Cyril. He chews on a toothpick, looking threatening.
122. Action Notes INT. ARCHER?S CAR - MOMENTS LATER - NIGHT A SQUEEGIE GUY approaches Archer?s windshield, squirts cleaner on it and begins to wipe it with a rag.
123. Action Notes INT. ARCHER?S CAR - MOMENTS LATER - NIGHT A SQUEEGIE GUY approaches Archer?s windshield, squirts cleaner on it and begins to wipe it with a rag.
124. Action Notes INT. ARCHER?S CAR - MOMENTS LATER - NIGHT A SQUEEGIE GUY approaches Archer?s windshield, squirts cleaner on it and begins to wipe it with a rag.
125. Action Notes INT. ARCHER?S CAR - MOMENTS LATER - NIGHT A SQUEEGIE GUY approaches Archer?s windshield, squirts cleaner on it and begins to wipe it with a rag.
126. Action Notes INT. ARCHER?S CAR - MOMENTS LATER - NIGHT A SQUEEGIE GUY approaches Archer?s windshield, squirts cleaner on it and begins to wipe it with a rag.
127. Action Notes INT. ARCHER?S CAR - MOMENTS LATER - NIGHT A SQUEEGIE GUY approaches Archer?s windshield, squirts cleaner on it and begins to wipe it with a rag.
128. Action Notes INT. ARCHER?S CAR - MOMENTS LATER - NIGHT A SQUEEGIE GUY approaches Archer?s windshield, squirts cleaner on it and begins to wipe it with a rag.
129. Dialog MALORY Don?t spray that urine on my son?s window. If you want a dollar for doing nothing, walk to Canada.
130. Dialog MALORY Don?t spray that urine on my son?s window. If you want a dollar for doing nothing, walk to Canada.
131. Dialog MALORY Don?t spray that urine on my son?s window. If you want a dollar for doing nothing, walk to Canada.
132. Dialog MALORY Don?t spray that urine on my son?s window. If you want a dollar for doing nothing, walk to Canada.
133. Dialog LANA Malory, what are you even doing on this mission to begin with?
134. Dialog LANA Malory, what are you even doing on this mission to begin with?
135. Dialog LANA Malory, what are you even doing on this mission to begin with?
136. Dialog MALORY Cyril needed me. It would?ve looked weird for him to be sitting at that restaurant alone.
137. Dialog MALORY Cyril needed me. It would?ve looked weird for him to be sitting at that restaurant alone.
138. Dialog ARCHER Who were you supposed to be?
139. Dialog MALORY His date, obviously.
140. Dialog MALORY His date, obviously.
141. Dialog MALORY His date, obviously.
142. Action Notes A beat, then Archer and Lana EXPLODE WITH LAUGHTER.
143. Action Notes A beat, then Archer and Lana EXPLODE WITH LAUGHTER.
144. Action Notes A beat, then Archer and Lana EXPLODE WITH LAUGHTER.
145. Action Notes A beat, then Archer and Lana EXPLODE WITH LAUGHTER.
146. Action Notes A beat, then Archer and Lana EXPLODE WITH LAUGHTER.
147. Dialog LANA His... his date? You thought you two could blend in as a couple?
148. Dialog LANA His... his date? You thought you two could blend in as a couple?
149. Dialog LANA His... his date? You thought you two could blend in as a couple?
150. Dialog LANA His... his date? You thought you two could blend in as a couple?
151. Dialog ARCHER Yeah, nothing more normal than a woman out for a romantic evening with her male Hospice nurse.
152. Dialog ARCHER Yeah, nothing more normal than a woman out for a romantic evening with her male Hospice nurse.
153. Dialog LANA His... his date? You thought you two could blend in as a couple?
154. Dialog ARCHER Yeah, nothing more normal than a woman out for a romantic evening with her male Hospice nurse.
155. Action Notes More laughter. Now, even Gabrielle has joined in.
156. Action Notes More laughter. Now, even Gabrielle has joined in.
157. Action Notes More laughter. Now, even Gabrielle has joined in.
158. Action Notes More laughter. Now, even Gabrielle has joined in.
159. Action Notes More laughter. Now, even Gabrielle has joined in.
160. Action Notes More laughter. Now, even Gabrielle has joined in.
161. Action Notes More laughter. Now, even Gabrielle has joined in.
162. Dialog ROBERT What?s so funny? It?s not crazy at all that those two would be together, they?re not much further apart in age than Lana and I are. Action Notes
163. Dialog ROBERT What?s so funny? It?s not crazy at all that those two would be together, they?re not much further apart in age than Lana and I are. Action Notes
164. Dialog ROBERT What?s so funny? It?s not crazy at all that those two would be together, they?re not much further apart in age than Lana and I are. Action Notes
165. Dialog ROBERT What?s so funny? It?s not crazy at all that those two would be together, they?re not much further apart in age than Lana and I are. Action Notes
166. Dialog ROBERT What?s so funny? It?s not crazy at all that those two would be together, they?re not much further apart in age than Lana and I are. Action Notes
167. Dialog ROBERT What?s so funny? It?s not crazy at all that those two would be together, they?re not much further apart in age than Lana and I are. Action Notes
168. Dialog ARCHER Self-burn.
169. Dialog ARCHER Self-burn.
170. Dialog ROBERT Plus, she?s beautiful and successful. You know who you remind me of, Malory? My ex-wife.
171. Dialog ROBERT Plus, she?s beautiful and successful. You know who you remind me of, Malory? My ex-wife.
172. Dialog ROBERT Plus, she?s beautiful and successful. You know who you remind me of, Malory? My ex-wife.
173. Dialog ROBERT Plus, she?s beautiful and successful. You know who you remind me of, Malory? My ex-wife.
174. Dialog ROBERT Plus, she?s beautiful and successful. You know who you remind me of, Malory? My ex-wife.
175. Dialog ROBERT Plus, she?s beautiful and successful. You know who you remind me of, Malory? My ex-wife.
176. Dialog LANA Malory reminds you of Linda? The supermodel?
177. Dialog LANA Malory reminds you of Linda? The supermodel?
178. Dialog ROBERT No, no, I?m talking about Zelda, my first ex-wife. Linda was my third ex-wife.
179. Dialog ROBERT No, no, I?m talking about Zelda, my first ex-wife. Linda was my third ex-wife.
180. Dialog ROBERT No, no, I?m talking about Zelda, my first ex-wife. Linda was my third ex-wife.
181. Dialog ROBERT No, no, I?m talking about Zelda, my first ex-wife. Linda was my third ex-wife.
182. Dialog LANA Your what?
183. Action Notes Robert freezes, having accidentally slipped up.
184. Dialog ARCHER Ohhh Bobby Bobby Bobby -- I think the phrase you?re looking for is ?gulp.?
185. Dialog ARCHER Ohhh Bobby Bobby Bobby -- I think the phrase you?re looking for is ?gulp.?
186. Dialog ARCHER Ohhh Bobby Bobby Bobby -- I think the phrase you?re looking for is ?gulp.?
187. Dialog ARCHER Ohhh Bobby Bobby Bobby -- I think the phrase you?re looking for is ?gulp.?
188. Action Notes INT. AGENCY - NIGHT PAM and CHERYL are having some end-of-the-day drinks when KRIEGER enters, looking downtrodden.
189. Action Notes INT. AGENCY - NIGHT PAM and CHERYL are having some end-of-the-day drinks when KRIEGER enters, looking downtrodden.
190. Action Notes INT. AGENCY - NIGHT PAM and CHERYL are having some end-of-the-day drinks when KRIEGER enters, looking downtrodden.
191. Action Notes INT. AGENCY - NIGHT PAM and CHERYL are having some end-of-the-day drinks when KRIEGER enters, looking downtrodden.
192. Action Notes INT. AGENCY - NIGHT PAM and CHERYL are having some end-of-the-day drinks when KRIEGER enters, looking downtrodden.
193. Dialog PAM/CHERYL/CAROL [laughing]
194. Dialog PAM/CHERYL/CAROL [laughing]
195. Dialog CHERYL/CAROL Ew. What?s wrong with your face, Krieger?
196. Dialog CHERYL/CAROL Ew. What?s wrong with your face, Krieger?
197. Dialog CHERYL/CAROL Ew. What?s wrong with your face, Krieger?
198. Dialog PAM Yeah. You build a time machine and travel into the past and punch yourself in the balls?
199. Dialog PAM Yeah. You build a time machine and travel into the past and punch yourself in the balls?
200. Dialog PAM Yeah. You build a time machine and travel into the past and punch yourself in the balls?
201. Dialog PAM/CHERYL/CAROL [laughing]
202. Dialog PAM/CHERYL/CAROL [laughing]
203. Action Notes INT. AGENCY - NIGHT PAM and CHERYL are having some end-of-the-day drinks when KRIEGER enters, looking downtrodden.
204. Dialog PAM/CHERYL/CAROL [laughing]
205. Dialog PAM/CHERYL/CAROL [laughing]
206. Dialog PAM/CHERYL/CAROL [laughing]
207. Dialog KREIGER Mitsuko and I got into an argument. Said she thinks maybe her feelings are changing about us.
208. Dialog KREIGER Mitsuko and I got into an argument. Said she thinks maybe her feelings are changing about us.
209. Dialog KREIGER Mitsuko and I got into an argument. Said she thinks maybe her feelings are changing about us.
210. Dialog KREIGER Mitsuko and I got into an argument. Said she thinks maybe her feelings are changing about us.
211. Dialog KREIGER Mitsuko and I got into an argument. Said she thinks maybe her feelings are changing about us.
212. Dialog KREIGER Mitsuko and I got into an argument. Said she thinks maybe her feelings are changing about us.
213. Dialog KREIGER Mitsuko and I got into an argument. Said she thinks maybe her feelings are changing about us.
214. Dialog KREIGER Mitsuko and I got into an argument. Said she thinks maybe her feelings are changing about us.
215. Dialog PAM Buddy, lemme tell you something everyone hears at some point in their lives: that anime hologram?s just not that into you.
216. Dialog PAM Buddy, lemme tell you something everyone hears at some point in their lives: that anime hologram?s just not that into you.
217. Dialog PAM Buddy, lemme tell you something everyone hears at some point in their lives: that anime hologram?s just not that into you.
218. Dialog PAM Buddy, lemme tell you something everyone hears at some point in their lives: that anime hologram?s just not that into you.
219. Dialog KREIGER No! It?s probably just a phase. I?m sure she?ll feel differently after the next software update.
220. Dialog KREIGER No! It?s probably just a phase. I?m sure she?ll feel differently after the next software update.
221. Dialog KREIGER No! It?s probably just a phase. I?m sure she?ll feel differently after the next software update.
222. Action Notes The phone rings. Pam picks it up.
223. Action Notes The phone rings. Pam picks it up.
225. Dialog PAM (into phone) Yello?
226. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME - NIGHT - INTERCUT Cyril is on a pay phone near the bathroom. The menacing bus- boy stands nearby.
227. Dialog CYRIL (into phone) Pam! Listen! I need you to come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
228. Dialog CYRIL (into phone) Pam! Listen! I need you to come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
229. Dialog CYRIL (into phone) Pam! Listen! I need you to come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
230. Dialog CYRIL (into phone) Pam! Listen! I need you to come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
231. Dialog CYRIL (into phone) Pam! Listen! I need you to come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
232. Dialog CYRIL (into phone) Pam! Listen! I need you to come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
233. Dialog CYRIL (into phone) Pam! Listen! I need you to come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
234. Dialog CYRIL (into phone) Pam! Listen! I need you to come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
235. Dialog PAM So you want me to come over there and blow a busboy just so he?ll forget about your dinner tab?!
236. Dialog PAM So you want me to come over there and blow a busboy just so he?ll forget about your dinner tab?!
237. Dialog CYRIL What? No, come with money to pay the tab?
238. Dialog PAM Oh. Lame.
239. Dialog PAM Oh. Lame.