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A framework for discourse in typeface design

A framework for discourse in typeface design

This lecture was delivered at the 6th ICTVC, in Thessaloniki. It discusses structuring relevant literature for teaching, and supporting independent learning, in typeface design.

Gerry Leonidas

July 08, 2016
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  1. Discussing priorities | Developing a field Visual communication is now

    an established discipline with a burgeoning professional practice, varied educational systems, critical research, national and international conferences and competitions, trade magazines, and academic journals. 
 Across many areas, visual communication is entering a period of sustained growth and expansion. This calls for strategic decisions for directions of development, setting priorities for action, and clarifying relationships with related areas of activity.
  2. Developing a field: discussing priorities Visual communication is now an

    established discipline with a burgeoning professional practice, varied educational systems, critical research, national and international conferences and competitions, trade magazines, and academic journals. 
 Across many areas, visual communication is entering a period of sustained growth and expansion. This calls for strategic decisions for directions of development, setting priorities for action, and clarifying relationships with related areas of activity.
  3. 2 The added value of design is redefined 
 away

    from the visible acts of practice
  4. “Rejection or ignorance of the rich and varied 
 history

    and traditions of typography are
 inexcusable; however, adherence to traditional 
 concepts without regard to contemporary 
 context is intellectually lazy and a threat 
 to typography today.” Jeffery Keedy
 The rules of typography according 
 to crackpots experts 
 Eye 9, 1993
  5. Adobe. (1990) Adobe Type 1 Font Format Sutton, J., &

    Bartram, A. (1968) An atlas of typeforms Ahrens, T., & Magicura, S. (2014) Size-specific adjustments to type designs Lawson, A. S. (1990) Anatomy of a Typeface Lund, O. (1999) Knowledge construction in typography: the case of legibility research and the legibility of sans serif typefaces Hochuli, J., & Kinross, R. (1996) Designing books: practice and theory Poynor, R. (2003) No more rules: graphic design and postmodernism Spiekermann, E. (2013) Stop stealing sheep and find out how type works Spiekermann, E. (1986) Ursache und Wirkung. Ein typographischer Roman
  6. Twyman, Michael 
 (1998) The British Library guide to printing:

    history and techniques Twyman, Michael 
 (1970) Printing 1770–1970
  7. 1. Approaches to historiography 2. Paradigms for typemaking 3. Discussions

    of typefaces in the context of use 4. Examinations of specification for making 5. Explanations for typeform construction 6. Approaches to validation
  8. 1. Discussions the past 2. Ways of making type 3.

    Typefaces in documents 4. Capturing knowledge for others 5. Explanations of lettermaking 6. Does it work for that?
  9. Paradigms for typemaking 1. letters made to size, mostly by

    hand 2. typefaces engineered for proprietary reproduction 3. typefaces as platform-independent products 4. typefaces as formal relationships within systems
  10. Discussions of typefaces in the context of use 1. lines

    and paragraphs 2. persistent documents and ephemera 3. Type families, type systems 4. global type, global typography
  11. Implications of specification for making 1. models for letters 2.

    emerging disciplines of practice 3. typeface design as an open-ended system
  12. Explanations for typeform construction 1. Gerritt Noordzij’s moving pen 2.

    Richard Southall’s models and patterns 3. organic / sampled / constructed patterns
  13. 1. Approaches to historiography 2. Typemaking paradigms 3. Type in

    the context of use 4. Specification and making 5. Typeform theories 6. Approaches to validation